Eastman Johnson Catalogue Raisonné
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12.0 Interiors—No or Slight Figures
Johnson often painted interiors without people, no doubt studies from real life. He used such oil studies to provide context for genre scenes. Objects resting on mantles, such as ceramic parrots or earthenware jars, frequently reappear, rearranged in interior genre scenes. —PH
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Exhibitions
Maryland State Fair, Baltimore, April 1864. (Exhibition catalogue: Maryland State Fair 1864), no. 105, as The Home Studio, owner J. McEntee.
References
Catalogue: Art Exhibition. Baltimore: Maryland State Fair, 1864. Exhibition catalogue (1864 Maryland State Fair), no. 105, as The Home Studio, owner J. McEntee.
Douglass, Julie M. "Lifetime Exhibition History." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue, p. 260, as The Home Studio.
Record last updated August 30, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Home Studio, c.1864 (Hills no. 12.0.2)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1514 (accessed on March 29, 2024).