Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager
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Photo: Courtesy of Freeman’s Auction
Sarah Smith Bridgman, 1872 (Hills no. 31.3.11). Detail
Detail
Photo: Courtesy of Freeman’s Auction
Sarah Smith Bridgman, 1872 (Hills no. 31.3.11). Detail
Detail
Photo: Courtesy of Freeman’s Auction
Sarah Smith Bridgman, 1872 (Hills no. 31.3.11). Inscription
Inscription
Photo: Courtesy of Freeman’s Auction
Sarah Smith Bridgman, 1872 (Hills no. 31.3.11). Verso stretcher
Verso stretcher
Photo: Courtesy of Freeman’s Auction
Sarah Smith Bridgman, 1872 (Hills no. 31.3.11). Verso typed label
Verso typed label
Photo: Courtesy of Freeman’s Auction
Sarah Smith Bridgman, 1872 (Hills no. 31.3.11). Verso handwritten label
Verso handwritten label
Photo: Courtesy of Freeman’s Auction
31.3 U.S. Portraits, Women

Johnson’s paintings of women are often his best portraits, exhibiting a range of techniques and emphasizing their intelligent faces even when enwrapped in sumptuous fabrics, such as we see in Edwina Booth. —PH

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Hills no. 31.3.11
Sarah Smith Bridgman
Alternate title: Portrait of Mrs. W. H. Bridgman
1872
Oil on canvas
27 1/8 x 22 1/8 in. (68.9 x 56.2 cm)
Signed and dated lower left: E. Johnson/1872
Private collection
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Record last updated September 23, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Sarah Smith Bridgman, 1872 (Hills no. 31.3.11)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1528 (accessed on April 18, 2024).