Eastman Johnson Catalogue Raisonné
Concordance
The Concordance presents the numbers which Eastman Johnson's artworks have been assigned in the major catalogues of his work: the 1907 sale catalogue of his estate by the American Art Association, John I. H. Baur's 1940 catalogue An American Genre Painter: Eastman Johnson, 1824–1906, and now Patricia Hills and Abigael MacGibeny, Eastman Johnson Catalogue Raisonné. Only works that appear in the 1907 Sale and Baur 1940 catalogues are listed. Any other catalogue number a work is known to have been given appears within the catalogue entry for that work.
Hills | Baur | 1907 Sale | ||
---|---|---|---|---|
26.1.17 | 58 | 21 | Embers, c.1879 | |
26.1.15 | 143 | City People in Country Quarters, 1877 | ||
26.1.14 | 70 | The New Bonnet, 1876 | ||
26.1.12 | 145 | 51 | What the Shell Says, c.1875 | |
26.1.7 | 61 | A Glass with the Squire, 1880 | ||
26.1.6 | 62 | 64 | Study for "A Glass with the Squire", c.1873–80 | |
26.1.4 | 60 | 1 | Jim Folsom (Study for A Glass with the Squire), c.1873–80 | |
26.1.3 | 75 | 13 | "Your Health, Sir!", 1873, September 12 | |
26.1.1 | 146 | Winding Yarn, 1872 | ||
25.2.11 | 63 | Girls Picking Hollyhocks, 1876 | ||
25.2.9 | 212 | Elvira in Mantilla at Nantucket (Elvira Lindsay Johnson), 1874, October 22 | ||
25.2.2 | 97 | Girl and Turkey, c.1870–80 | ||
25.1.15 | 102 | Day Dreams, c.1877 | ||
25.1.11 | 99 | The Finishing Touch, c.1872–80 | ||
25.1.10 | 126 | Not at Home, c.1872–75 | ||
25.1.9 | 148 | Woman at a Window, 1872, October 9 | ||
25.1.8 | 98 | Ruth, c.1870–79 | ||
25.1.7 | 144 | 17 | Watched Pot Never Boils, c.1870–79 | |
25.1.4 | 69 | Lady Playing Harp, c.1860–69 | ||
25.1.2 | 93 | Devotion, 1861, December | ||
24.0.12 | 140 | The Reverie, c.1872–73 | ||
24.0.11 | 136 | The Reverie, c.1872–73 | ||
24.0.8 | 8 | Young Girl Reading, c.1872 | ||
24.0.7 | 119 | Study for Interesting News, c.1872 | ||
24.0.5 | 108a | Girl Reading, 1872 | ||
24.0.4 | 44 | "He loves me, He loves me not", c.1870–79 | ||
24.0.3 | 42 | Adelaide, c.1870–79 | ||
24.0.2 | 31 | Wronged, c.1870–79 | ||
23.0.21 | 57 | Teaching Caesar, c.1881 | ||
23.0.18 | 141 | Her Pet Kitten, c.1878–81 | ||
23.0.17 | 132 | The Pet Canary, c.1878–81 | ||
23.0.16 | 78 | The Dead Dove—Her Cemetery, c.1878–81 | ||
23.0.15 | 89 | 60 | Child and Rabbit, c.1878 | |
23.0.14 | 131 | 39 | The Pet Angora Rabbit, c.1878 | |
23.0.13 | 104a | Girl Holding Rabbit, c.1878 | ||
23.0.12v | 40 | Girl Holding Pet White Rabbit [verso of Child and Rabbits], c.1878 | ||
23.0.11r | 40 | Child and Rabbits, c.1878 | ||
23.0.10 | 108 | Girl with Rabbits, c.1878 | ||
23.0.9 | 19 | Child Holding Pet Bunny, c.1878 | ||
23.0.3 | 87 | Child and Lamb, 1875 | ||
23.0.2 | 106 | Girl and Pets, 1859 | ||
23.0.1 | 105 | The Pets, 1856 | ||
22.0.6 | 104 | Two Children (Study for The Scissors Grinder), c.1870 | ||
22.0.6 | 142 | Two Children (Study for The Scissors Grinder), c.1870 | ||
21.2.8 | 145 | Child and Sled, 1879 | ||
21.2.6v | 129 | Girl in the Woods [verso of On the Hillside], c.1875–80 | ||
21.2.4 | 103 | Girl with Basket, c.1870–79 | ||
21.2.3 | 89 | The Wild Flowers, c.1862–79 | ||
21.2.2 | 101a | Gathering Flowers, c.1862–79 | ||
21.1.33 | 132 | Child Warming Her Hands in Studio, c.1879 | ||
21.1.32 | 68 | Child Warming Hands in Studio, c.1879 | ||
21.1.29 | 59 | In the Land of Nod, 1879 | ||
21.1.24 | 41 | Girl and Pet Doll, c.1875–78 | ||
21.1.20 | 192 | Portrait of Clara Hall (The Tea Party), 1873 | ||
21.1.13 | 111 | 32 | "I'm the Tallest", c.1870–79 | |
21.1.5 | 110 | Home and Warmth, 1863 | ||
20.2.5 | 4 | Back from the Orchard, c.1876 | ||
20.1.19 | 75a | After the Feast, 1872 | ||
20.1.18 | 88 | Child at Prayer, c.1870–74 | ||
20.1.14 | 98 | 58 | The Fifer and His Friend, c.1862 | |
20.1.13 | 138 | Solitaire, 1867 | ||
20.1.10 | 113 | The Early Scholar, 1868 | ||
20.1.9 | 95 | The Early Scholar, c.1865 | ||
20.1.2r | 83 | Little Brown Boy, c.1860–69 | ||
19.0.5 | 137 | The Scissors Grinder, 1870 | ||
19.0.2 | 79 | 49 | The Blacksmith's Shop, c.1863 | |
18.0.16 | 137 | Mother and Child, c.1872–80 | ||
18.0.14 | 118 | 12 | The Little Convalescent, c.1872–80 | |
18.0.13 | 147 | Woman and Child, c.1872 | ||
18.0.8 | 105 | The Baby by Candle Light, 1870, October 2 | ||
18.0.3 | 120 | The Soldier's Wife, 1864–69 | ||
18.0.1 | 33 | Black Woman and Child, 1864 | ||
17.0.3 | 94 | 28 | Dressing the Doll, c.1869 | |
17.0.2 | 80 | Indigenous Woman in Wigwam Interior, 1869, July | ||
17.0.1 | 29 | 7 | Wigwams, 1869, July | |
15.0.13 | 139 | The Peaceful Village, c.1871–80 | ||
15.0.12 | 24 | Siasconset, Nantucket, c.1871–80 | ||
15.0.10 | 72 | 45 | The Quaint Old Village, c.1870–71 | |
15.0.9 | 73 | 91 | "When Woods Were Green", c.1860–79 | |
15.0.6 | 116 | Landscape, c.1860–79 | ||
15.0.4 | 86 | 52 | The Catskill Mill, c.1860–69 | |
15.0.3 | 141 | 48 | Sunlight and Shadow in the Catskills, c.1860–69 | |
15.0.1 | 115 | Landscape, c.1860–69 | ||
14.0.5 | 134 | The Early Lovers, c.1865–73 | ||
14.0.2 | 100 | Boy Fishing, c.1865 | ||
14.0.1 | 107 | Gathering Lilies, 1865 | ||
13.7.11 | 102 | Girl in Barn, c.1877–79 | ||
13.7.10 | 90 | In the Barn Door, c.1877–79 | ||
13.7.9 | 86 | Hide and Seek in the Barn, c.1877–79 | ||
13.7.8 | 135 | 50 | A Quiet Hour, c.1877–79 | |
13.7.7 | 77 | Barn Swallows, 1878 | ||
13.7.5 | 112 | 73 | Children Playing in a Barn, c.1877–79 | |
13.7.3 | 62 | In the Barn, c.1877–79 | ||
13.6.11 | 46 | 94 | The Sap Gatherers, c.1873 | |
13.6.10 | 53 | The Joys of Winter, c.1873 | ||
13.6.9 | 45 | 71 | On Their Way to the Camp, 1873 | |
13.6.7 | 99 | A Boy in the Maine Woods, c.1861–65 | ||
13.6.6 | 129 | The Truants, c.1861–65 | ||
13.6.4 | 20 | Mumblepeg, c.1861–65 | ||
13.6.3 | 46 | Through the Snow, c.1861–65 |
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Concordance." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/resources/concordance.php (accessed on April 20, 2024).