Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager
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39.2 U.S. Drawing Studies for Genre Paintings & Finished Drawings

This theme presents the larger studies Johnson did for finished drawings and paintings; some of the figures are done in graphite pencil, while others are done in charcoal. Sheldon Keck, a conservator who examined many Johnson drawings and paintings, wrote the following in “A Use of Infra-Red Photography in the Study of Technique,” Technical Studies in the Field of the Fine Arts, 1941:

Johnson's procedure, as thus reconstructed, seems to have been to prepare carefully in advance of his painting a drawing of the whole or of important parts. In this he determined as well the modelling and chiaroscuro to be used in his painting. He next traced the drawing and transferred the outline to the picture priming. He diligently followed this outline in his application of paint. The drawing of the "Girl with Glass" of which a painted version appears in "The New Bonnet" illustrates this conclusion. The measurements of the drawn and painted figures coincide and the infra-red photograph reveals the guide lines in the painting.

PH

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Hills no. 39.2.1
Baur no. 448
New England Kitchen
c.1860–69
Pencil on brown paper
6 3/4 x 11 3/8 in. (17.1 x 28.9 cm)
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Record last updated March 22, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "New England Kitchen, c.1860–69 (Hills no. 39.2.1)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?SystemID=1103 (accessed on March 28, 2024).