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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo courtesy of National Portrait Gallery, Smithsonian Institution
31.1 U.S. Portraits, Men

When Johnson returned to the United States, he not only painted genre paintings but he also continued to paint portraits, which gave him a steady income. After 1880 Johnson turned to portraiture almost exclusively. During the 1880s and 1890s he painted businessmen, lawyers, university presidents, and three U.S. presidents from life. At times he also painted their wives and children.

He was also commissioned to paint posthumous portraits, often from photographs. These portraits by and large do not have the sparkle and active brushwork of those done from life. It seems that the demand for portraits of business and civic leaders (and members of exclusive men’s clubs) was so high that portrait painters would often make copies of each other’s paintings to satisfy the market for such images. In many instances, it has been difficult to render opinions for such paintings. —PH

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Hills no. 31.1.89
Jason ("Jay") Gould
Grey Art Gallery, New York University Art Collection title: Portrait of Jay Gould
Alternate title: Jay Gould
1896
Oil on canvas
60 1/2 x 40 3/8 in. (153.7 x 102.6 cm)
Signed and dated lower right: E. Johnson/1896
Provenance
Helen Miller Gould, daughter of the sitter, 1896 (by commission for New York University)
New York University, New York, until 1983
Grey Art Gallery, New York University Art Collection, New York, 1983 (by transfer; on long-term loan to National Portrait Gallery, Smithsonian Institution, since 1978)
Exhibitions
2002 Baltimore and Ohio Railroad Museum
Baltimore and Ohio Railroad Museum, Baltimore, Portraits of American Railroading from the National Portrait Gallery, Smithsonian Institution, February 2002–February 2003.
2006 National Portrait Gallery
National Portrait Gallery, Smithsonian Institution, Washington, D.C., American Origins, 1600–1900, 2006–ongoing.
References
New York Times 1895
"Lenox." New York Times, August 18, 1895, p. 3: "The artists [sic], Eastman Johnson, returned to Lenox tonight from a brief visit to New-York. He has just finished a portrait of George Cabot Ward for the Union League Club. It is considered one of the best of his portrait paintings. He is at present painting a picture of the late Jay Gould for the Gould family".
Kennedy Galleries 1920
Catalogue of an Exhibition of Charcoal Drawings by Eastman Johnson. New York: Kennedy Galleries, 1920. Exhibition catalogue (1920 Kennedy Galleries), p. 11, addendum "Paintings by Eastman Johnson" [possibly, as Jay Gould].
Sitter Biography
Sitter: Gould, Jason ("Jay")
Biography:

Jason (“Jay”) Gould (1836–1892). American railroad magnate and financial speculator; “one of the most turbulent, controversial, and significant business careers in the nineteenth century…Gould made his first fortune with his masterful understanding of finance during the Civil War” before gaining notoriety through opposition to Cornelius Vanderbilt over the Erie Railroad. Revived and made profitable the Union Pacific Railroad, as well as many other ventures. “...Gould’s wide-ranging influence on business, from the financial markets to modern management techniques, helped shape the modern American economy” [National Portrait Gallery website, accessed August 8, 2014].

White, Terry James. The National Cyclopaedia of American Biography. Ann Arbor, MI: University Microfilms, 1967–.

Gould, Jason ("Jay")
Keywords
Record last updated July 29, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Jason ("Jay") Gould, 1896 (Hills no. 31.1.89)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?SystemID=1283 (accessed on April 16, 2024).