In June 1869 Johnson married Elizabeth Buckley of Troy, New York, and the following summer he and his wife and their baby, Ethel, went to Nantucket, Massachusetts for the season. Johnson responded enthusiastically to Nantucket, which seemed to be filled with characters and activities that appealed to him, and the couple returned to the island each summer. Beside painting genre scenes of men, women, and children both indoors and outside, Johnson launched a major theme—the cranberry harvest—a time in the fall when the whole community turned out to pick the wild cranberries ripening in the bogs of Nantucket. Johnson made at least eighteen studies before crafting his major painting, The Cranberry Harvest, which was exhibited at the National Academy of Design in 1880. —PH
Walters Art Museum website, accessed February 15, 2021: "In this work, Johnson's last dated painting of everyday life, a group of elderly men, seated around a stove in a cobbler's shop, reminisces about the past. Two years after the picture was completed, Johnson identified the philosophers: Captain Haggerty, the shoemaker; Captain Moore, the talker; and on the left, leaning on his hand, Captain Ray. The other captains, he noted, were by then already deceased."
"The Academy Exhibition," The Nation 44, April 28, 1887, p. 373: "…Old Whalers at Nantucket, No. 328, by Eastman Johnson, is a group of old salts in a bituminous sort of atmosphere, in which a wall and a door here and there may be made out in close scrutiny."
Captain George Haggerty (1808–1885).
- Subject matter:
- Stoves »
Also owned by: Brooklyn Museum (2009.91.1); de Young Museum (1963.30.26131); Detroit Institute of Arts (F78.81); Smithsonian American Art Museum (1973.130.97)
See all Prints after Works by Johnson.