Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager
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Photo: Courtesy Adelson Galleries, NY
09.4 Black Groups

During the 1860s Johnson painted Black men, women, and children that bestow on them dignity, intelligence, and grace. Many in his family, including his sister Harriet May and her husband Reverend Joseph May were ardent abolitionists. To Johnson, Blacks were not subjects to be ridiculed or satirized.

Note that paintings of Black women and their babies have been placed within the Mother and Child theme. Negro Life at the South and its variations have been placed in a separate category because of its historic significance as Johnson’s chef-d’oeuvre. —PH

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Hills no. 9.4.1
Rustic Courtship
Alternate title: possibly The Country Courtship
c.1859–60
Oil on board
10 3/4 x 8 in. (27.3 x 20.3 cm)
Signed lower left: E. Johnson
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Record last updated July 26, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Rustic Courtship, c.1859–60 (Hills no. 9.4.1)." Eastman Johnson Catalogue Raisonné. https://www.eastmanjohnson.org/catalogue/entry.php?id=103 (accessed on May 26, 2022).