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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, Project Manager and Co-Author

Catalogue Entry

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Photo: Courtesy National Park Service, Longfellow House - Washington's Headquarters National Historic Site
43.7 U.S. Early Portrait Drawings, Groups

Although Johnson painted adults as single images, the groups usually are children, such as the Child sisters, the Fessenden children, and Johnson family members.

See Technical Information on Johnson's Practices for a discussion of charcoal, black chalk, crayon, and pastel. —PH

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Hills no. 43.7.6
Baur no. 331
Charles Appleton Longfellow and Ernest Wadsworth Longfellow
National Park Service, Longfellow House - Washington's Headquarters National Historic Site title: Portrait of Charles and Ernest Longfellow
Alternate title: Charles Appelton [sic] Longfellow/Ernest Wadsworth Longfellow
1848, December
Pastel on gray green paper
23 5/8 x 20 1/8 in. (60 x 51.1 cm) (oval)
Neither signed nor dated
Description/Remarks

MacGibeny, 2022: Henry Wadsworth Longfellow commissioned Johnson to draw portraits of himself, his family, and his friends after being impressed by Johnson's portraits of his parents, Stephen and Zilpah Longfellow. In his journal entry of January 16, 1846, he wrote, "Went to Portland where I found all pretty well. A young artist of Maine, Mr. Johnson, has taken my father and mother, in every way is excellently made.” On October 22 he wrote, "Johnson’s sketch [sic] of [Longfellow's sisters] Anne and Mary are quite charming. I am delighted with them. He is to take for me all the club. The mutual Admiration Society which I shall hang in the Hall to show people what a fine set of heads they are." Johnson was twenty-four years old when he drew Longfellow's sons Charles and Ernest. These high profile commissions in the late 1840s helped to build Johnson's reputation as a young artist in America before he went to Europe in 1849 to learn to paint.

The boys' mother, Fanny Elizabeth Appleton Longfellow, recorded the creation of this double portrait in her journal. December 12, 1848: “Johnson began a drawing of the children in pastel. He thought Erny would make a lovely one. They sat very well. Charley vastly tickled with the idea.” December 13, 1848: “Erny sat very well today by dint of picture books to look at.” December 19,1848: “Johnson again.” December 27, 1848: “Johnson brought out the pastel portrait of the children—very pretty.”

Longfellow House catalogue record, July 9, 2014: "Oval double portrait, half-length; Charles on left facing front, Ernest on right facing slightly proper right. Left figure with light brown hair, hazel eyes, light brown sack with white lace around neck and 4 gold buttons along proper right sleeve. Right figure with dark blond hair, hazel eyes, medium blue embroidered sack with low U-shaped neckline, trimmed with white lace; short sleeves trimmed in white; proper left hand covered by piece of white fabric. Background in shades of gray-green; dark red and blue drape to the right."

Provenance
Henry Wadsworth Longfellow, Cambridge, Massachusetts, c. 1846 (by commission)
Children of Henry Wadsworth Longfellow: Charles Appleton Longfellow, Ernest Wadsworth Longfellow, Alice Mary Longfellow, Edith Longfellow, and Anne Allegra Longfellow, 1882 (by bequest)
Longfellow House Trust, 1913–1974
National Park Service, Longfellow House - Washington's Headquarters National Historic Site, Cambridge, Massachusetts, 1974 (by transfer)
References
Longfellow, Fanny Elizabeth Appleton 1848a
Fanny Elizabeth Appleton Longfellow letter to Samuel Longfellow, c. October 1848, Longfellow House Archives, “Johnson is to come out soon to draw the children in pastel.”.
Longfellow, Fanny Elizabeth Appleton 1848b
Fanny Elizabeth Appleton Longfellow Journal. c.October–December 1848. Frances Elizabeth Appleton Longfellow (1817-1861) Papers, 1825-1961 (bulk dates 1832-1861) (LONG 20257), Longfellow House–Washington’s Headquarters National Historic Site, December 12, 1848: “Johnson began a drawing of the children in pastel. He thought Erny would make a lovely one. They sat very well. Charley vastly tickled with the idea," December 13, 1848: “Erny sat very well today by dint of picture books to look at," December 19,1848: “Johnson again.” December 27, 1848: “Johnson brought out the pastel portrait of the children – very pretty”.
Baur 1940
Baur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn Museum), p. 75, no. 331, as Charles Appelton [sic] Longfellow/Ernest Wadsworth Longfellow.
Hills Examination/Opinion
Examination date(s): Early 1970s
Examination notes: Charles Appleton and Ernest Wadsworth Longfellow: 1848; pastel on grey green paper; red outlining on nose and ear. Pair: Charles/Ernest Longfellow: Very soft, network of lines. Still more homogeneous than [Samuel] Rowse. Ernest is the younger, with large eyes.
Sitter Biography
Sitter: Longfellow, Charles Appleton
Biography:

Charles Appleton Longfellow (1844–1893). Eldest son of Henry Wadsworth Longfellow and Frances Appleton Longfellow; brother of Ernest Wadsworth Longfellow, with whom he was portrayed by Johnson.

Sitter: Longfellow, Ernest Wadsworth
Biography:

Ernest Wadsworth Longfellow (1845–1921). Second son of Henry Wadsworth Longfellow and Frances Appleton Longfellow; brother of Charles Appleton Longfellow, with whom he was portrayed by Johnson.

Related work
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Longfellow, Charles Appleton
Longfellow, Ernest Wadsworth
Keywords
Record last updated March 30, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Charles Appleton Longfellow and Ernest Wadsworth Longfellow, 1848, December (Hills no. 43.7.6)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1043 (accessed on July 1, 2025).