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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Brooklyn Museum
48.0 Prints by Johnson

Johnson’s early art training included working in a Boston lithography shop, and hence he knew how to draw on the stone before paper was laid over it and printed. In The Hague, where numerous lithography shops were at his disposal, several of his portraits were executed as lithographs. —PH

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Hills no. 48.0.6
Marguerite
Alternate title: possibly Margaret
1860
Lithograph on paper with top corners cut, mounted on paper
Image: 12 1/2 x 9 1/2 in. (31.8 x 24.1 cm)
Sheet: 16 3/4 x 13 13/16 in. (42.5 x 35.1 cm)
Signed and dated lower right outside of plate in graphite: Eastman Johnson./1860.; inscribed outside of plate lower left in graphite: Printed by Chas. Hart 1860 –; and lower center in graphite: "Marguerite."
Description / Remarks

MacGibeny and Hills, 2022: Having trained briefly in a lithography shop in Boston as a teenager in the early 1840s, and producing lithographs of the Folsom family in the Hague in the early 1850s, Johnson demonstrated continued interest in using the medium as he became a firmly established painter in New York. In previous scholarship, this lithograph was the only recorded lithograph prior to the gifts of the Folsom lithographs to the Metropolitan Museum of Art. 

Johann Wolfgang von Goethe published a part of his play Faust in 1790. The full play, in two parts, was published in 1808. Gretchen (short for Margarete) is the heroine. Gretchen am Spinnrade, or Little Margaret at the Spinning Wheel, is an 1814 musical piece by Schubert. Michel Carré wrote the play Faust et Marguerete in 1859, based on Goethe’s Faust, Part I. Carré’s play was immediately adapted to the 1859 opera by Charles Gounod, with Jules Barbier writing the libretto. 

The Evening Post, "Art Items," June 11, 1860: "The first number of ‘The Porte Crayon,’ published by George Ward Nichols, of this city, is just out. It contains four artistically executed lithographs of pictures by Eastman Johnson, George L. Brown, [Geroge] Inness and [Albert Fitch] Bellows. This publication differs from L’Artiste Contemporaires, the Paris serial that has given us such graphic renderings of the pictures of great French masters, in that the artists here makes [sic] the drawings on the stone themselves. This is a unique and desirable work of art, and should have a large sale."

The Crayon, May 1860, advertisement for Crayon Art Gallery: “The first number of the new serial called the Porte Crayon, is now before the public, containing: MARGUERITE, originally painted and now drawn on the stone by EASTMAN JOHNSON…”

Provenance
Mrs. William P. Hamilton and Grace Parsons Hart, Brooklyn, New York, until 1940
Brooklyn Museum, New York, 1940 (by gift)
Exhibitions
1860 Boston Athenaeum
Boston Athenaeum, Boston, 1860, no. 278, [possibly, as Margaret].
References
Evening Post 1860
"Art Items." The Evening Post (New York), June 11, 1860, p. 2: "The first number of ‘The Porte Crayon,’ published by George Ward Nichols, of this city, is just out. It contains four artistically executed lithographs of pictures by Eastman Johnson, George L. Brown, Inness and Bellows. This publication differs from L’Artiste Contemporaraires, the Paris serial that has given us such graphic renderings of the pictures of great French masters, in that the artists here makes [sic] the drawings on the stone themselves. This is a unique and desirable work of art, and should have a large sale."
Harper’s New Monthly Magazine 1860
"Editor’s Easy Chair." Harper’s New Monthly Magazine 21, no. 121 (June 1860), p. 269 [possibly].
The Crayon 1860b
Advertisement for Crayon Art Gallery. The Crayon 7 (May 1860), as Marguerite.
Peters 1931
Peters, Harry Twyford. America on Stone. New York: Arno Press, 1931, p. 238, pl. 78, illus.
Kaskell 1997
Kaskell, Joan Macy. "Eastman Johnson, Lithographer." Imprint 22, no. 1 (Spring 1997), p. 14, illus., as Marguerite.
Carbone and Hills 1999
Carbone, Teresa A., and Patricia Hills. Eastman Johnson: Painting America. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue (1999 Brooklyn Museum), p. 50, fig. 31, illus., as Marguerite.
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Record last updated April 1, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Marguerite, 1860 (Hills no. 48.0.6)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1051 (accessed on May 3, 2024).