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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Crystal Wylie / Berea College
40.0 Literary/Historical Drawings

In addition to his scenes of everyday life and portraits of people, Johnson created images of historical events and figures from works of literature, drama, and music. For example, “Carry Me, and I’ll Drum You Through” was inspired by an incident from the Battle of Antietam, 1862, and Membership Vote at the Union League Club, May 11, 1876, recorded a contentious meeting in which he participated much later. His Marguerite, Cosette, and Minnehaha are personifications of fictional heroines from novels and poetry. His Boy Lincoln represents both the future United States president and the archetypical American youth who, with determination and hard work, could succeed. Johnson rendered several of these imaginative images as both paintings and drawings. These literary and historical works evince both his personal interest in those subjects and his awareness of their popularity with the broad public. —AM

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Hills no. 40.0.11
Baur no. 396a
The Boy Lincoln
Alternate title: Young Abraham Lincoln Reading a Borrowed Book by Firelight
1867
Pastel on canvas, mounted on board
32 x 25 in. (81.3 x 63.5 cm)
Signed and dated lower left: E. Johnson/1867
Description / Remarks

MacGibeny, 2022: Around the 1909 centennial of Abraham Lincoln’s birth, Johnson's images of Lincoln as a boy reading were reproduced widely for moralizing purposes, to emphasize the virtue of picking oneself up by one's bootstraps and overcoming challenges through education and hard work. 

The Horace K. Turner Company sales brochure for reproductions of this pastel, 1908, promotes its appeal:

“The picture was purchased from Mrs. Johnson by Mary Billings French, who presented it to Berea College as an inspiration to the young men and women whom that institution is helping each year to overcome the same difficulties that Lincoln met and conquered.

"The picture arouses new and tender thoughts of our national hero before life's cares and sorrows had written their message in the deep lines and sadness that pervade likenesses of [Lincoln] in later years. Here is the boy, who, though born to poverty and privation, made every difficulty a stepping-stone to higher issues. He is alone in his humble home, reading by firelight a precious and coveted book which has been loaned to him, no doubt, and which he has walked many miles to obtain."

Berea College charged (and still charges) no tuition to students. The College used Johnson’s image on their official book plate, letterhead, and stationery; the frontispiece for The Berea Quarterly; and various other promotional materials. 

William Goodell Frost, president of Berea College, letter to Jesse Lowe Smith, Superintendent of Schools in Highland Park, Illinois, October 30, 1913:

“The artist, Eastman Johnson, had occasion to make some studies of pioneer life during the period of the civil war and then conceived the thought of presenting the Boy Lincoln in frontier surroundings. His picture has had successive periods of popularity. It was one of the first pictures used by Prang for a chromo which was widely distributed in its time. When chromos went out of fashion the picture was reproduced in engravings in school histories and the like. Johnson made a copy which is now at Ann Arbor [Boyhood of Lincoln, University of Michigan], but always retained the original and Mrs. Eastman Johnson had it in her home for some years. A mutual friend had made me acquainted with Mr. Johnson in his lifetime and I had seen the picture at his home. In 1908 Mrs. Mary Billings French of New York purchased the picture for Berea College, Mrs. Eastman Johnson making a large contribution toward the gift. It was exhibited at several meetings in New York City and at the St. Dennis [sic] Hotel, and then brought to our Library. The Horace K. Turner Co., Oak Hill, Newton Center, Mass., made careful reproductions and are furnishing such for school use throughout the country. 

“Such is the history of the picture from which you can make extracts to serve the purpose you have in view. I believe it is within the bounds of truth to say that no one ever thinks of Abraham Lincoln, or looks upon his picture without moral benefit.”

According to Smith’s diary, in 1913 he was giving lectures about Lincoln to schoolchildren and adults, as well as exhibiting pictures of Lincoln in Illinois schools.

Provenance
Eastman Johnson estate/Mrs. Eastman Johnson, New York, 1906 (by bequest)
Mary Billings French, until 1908 (by purchase from Mrs. Johnson)
Berea College, Berea, Kentucky, 1908 (by gift)
Exhibitions
1868 NAD
National Academy of Design, New York, April 15–June 20, 1868. (NAD 1868), no. 366, [possibly, as The Boy Lincoln].
1908 Congregational Club
Dinner of the Congregational Club at Hotel St. Denis, New York, February 18, 1908, attended by both Mary Billings French and Mrs. Johnson.
References
NAD 1868
New York: National Academy of Design, 1868. Exhibition catalogue (1868 NAD), no. 366 [possibly, as The Boy Lincoln].
The Albion 1868
"Fine Arts: Academy of Design." The Albion (New York) 46, no. 20 (May 16, 1868), p. 273 [possibly, as The Boy Lincoln].
Hartmann 1908
Hartmann, Sadakichi. "Eastman Johnson: American Genre Painter." The International Studio 34 (April 1908), p. 106, illus., as The Boy Lincoln.
Horace K. Turner Company 1908
The Boy Lincoln: A Pastel by Eastman Johnson, Original Owned by Berea College. Boston: Horace K. Turner Company, 1908.
Johnson, Elizabeth 1908
Elizabeth Johnson letter to Appleton, Francis R, Esq. (Harvard Club), 1908, Harvard Club of New York archives, "Mr. Johnson's 'Boy Lincoln' has already been called for for a Kentucky Institution."
New York Times 1908
"$80,000 More for Berea—College Also Gets Eastman Johnson's Painting of 'The Boy Lincoln.'" New York Times, February 18, 1908, as The Boy Lincoln.
New-York Daily Tribune 1908
"Tells of 'Boy Lincoln.'" New-York Daily Tribune, February 18, 1908, p. 7, illus., as The Boy Lincoln.
Horace K. Turner Company 1909
The Boy Lincoln. Boston: Horace K. Turner Company, 1909, educational brochure including biography of Johnson and "Suggested Questions".
Gilbert 1913
Gilbert, Ariadne. "More than Conquerors." St. Nicholas: An Illustrated Magazine for Young Folks (New York) 40, no. 4 (February 1913), p. 309, illus., as Young Abraham Lincoln Reading a Borrowed Book by Firelight, captioned "From a copyrighted photograph by Rockwood, of the painting [sic] by Eastman Johnson."
Smith 1913
Smith, Jesse Lowe. Jesse Lowe Smith Diary: 1913. Highland Park, Illinois, 1913. Highland Park Public Library.
Wisconsin 1923
A Course of Study for the Elementary Schools of Wisconsin. Madison, WI: State Superintendent, 1923, p. 63, as The Boy Lincoln, listed under "Materials for oral and written composition".
Baur 1940
Baur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn Museum), p. 78, no. 396a, as The Boy Lincoln.
Unidentified newspaper n.d.
"The Boy Lincoln." Unidentified newspaper.
Sitter Biography
Sitter: Lincoln, Abraham
Biography:

Abraham Lincoln (1809–1865). Sixteenth president of the United States, 1861–1865.

Lincoln, Abraham
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Keywords
Record last updated May 31, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Boy Lincoln, 1867 (Hills no. 40.0.11)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1087 (accessed on May 4, 2024).