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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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31.1 U.S. Portraits, Men

When Johnson returned to the United States, he not only painted genre paintings but he also continued to paint portraits, which gave him a steady income. After 1880 Johnson turned to portraiture almost exclusively. During the 1880s and 1890s he painted businessmen, lawyers, university presidents, and three U.S. presidents from life. At times he also painted their wives and children.

He was also commissioned to paint posthumous portraits, often from photographs. These portraits by and large do not have the sparkle and active brushwork of those done from life. It seems that the demand for portraits of business and civic leaders (and members of exclusive men’s clubs) was so high that portrait painters would often make copies of each other’s paintings to satisfy the market for such images. In many instances, it has been difficult to render opinions for such paintings. —PH

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Hills no. 31.1.136
James McQuade
c.1856–57
Oil
[dimensions unknown]
This catalogue raisonné strives to reproduce the available historical information, as it was written in the period, while acknowledging that readers today may find many of these terms objectionable or racist. Please see the Racist Language/Negative Stereotypes Statement »
Description / Remarks

MacGibeny, 2021: In his 1906 article published in the Superior [Wisconsin] Telegram, Hiram Hayes, husband of Johnson's niece Mary Elizabeth Newton Hayes, recalled that Johnson had painted portraits of the parents of Sam McQuade. It seems likely that the story told earlier by Mrs. Hayes in a 1901 article in The Evening Telegram, about a man in Superior offering Johnson gold to paint portraits of his parents, refers to the McQuades. Descendants of the sitters report that the portraits were painted from daguerreotypes.

Provenance
Samuel C. McQuade, Superior, Wisconsin, son of the sitter, 1856–1857 (by commission)
Present whereabouts unknown
References
Hayes 1901
Hayes, Mrs. Mary E. "Reminscenses [sic] of Superior 1856–1901." Women's Edition of The Evening Telegram (Superior, WI), 1901, Recounts story that Johnson told about leaving Superior, Wisconsin: he had "found himself without means to get back to New York, so he made a bargain with a gentleman who was fortunate enough to have some money in gold, to paint the portraits of his parents for a sum that afterwards would have been ludicrous to mention. I think it was fifty dollars for the two…And yet, as he said he was very glad to get the fifty dollars, and considered the portraits as good as he had ever done, up to that time." This could be a reference to the portraits of James and Elizabeth McQuade, commissioned by their son, Samuel McQuade.
Hayes 1906
Hayes, Col. Hiram. "Memories of the 50s: Recalled by the Yuletide." Superior Telegram (Superior, WI), December 21, 1906, "He painted some pale-faces, too, among which I remember were the portraits of Sam McQuade's father and mother, of Duluth".
Sitter Biography
Sitter: McQuade, James
Biography:

James McQuade (1801–1859). Husband of Elizabeth Caldwell McQuade; great-grandfather of Mrs. Mary Benson-Berry.

Keywords
Record last updated March 22, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "James McQuade, c.1856–57 (Hills no. 31.1.136)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1134 (accessed on April 25, 2024).