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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Patricia Hills, taken of an image in the Brooklyn Museum Archives
21.1 Girls Indoors

Johnson’s daughter, Ethel, was born in May 1870, and it is not surprising that Johnson would use her (but not exclusively) as a model for the many pictures of young girls in interiors—playing with dolls, warming their hands by a stove, reading, sleeping. Such pictures often include the same furniture, such as the prie dieu (church prayer bench or kneeler) seen in Family Cares and The Tea Party. Because they were genre paintings, not portraits, Johnson freely renders the facial features. Thus, it is not surprising that for paintings done circa 1873, the bodily types of the girls look like three-year-olds; whereas those done circa 1878, look more like eight-years-olds. —PH

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Hills no. 21.1.17
The Young Mother
c.1872–73
Oil
[dimensions unknown]
Initialed lower right on door jamb: E.J.
Description / Remarks

Hills, 2022: John I. H. Baur likely knew this work because it was photographed at the Brooklyn Museum, where he was head of the Department of Painting and Sculpture from 1936 to 1952, but it is not included in his 1940 catalogue of Johnson's work.

Provenance
Present whereabouts unknown
References
King 1895
King, Edward. "The Value of Nationalism in Art." The Monthly Illustrator 4, no. 14 (June 1895), p. 267, illus., as The Young Mother.
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Record last updated January 26, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Young Mother, c.1872–73 (Hills no. 21.1.17)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1161 (accessed on May 8, 2024).