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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: © 2021 Museum of Fine Arts, Boston
The Field Hospital, 1867 (Hills no. 10.0.23). Overall
Overall
Photo: Patricia Hills
The Field Hospital, 1867 (Hills no. 10.0.23). Detail
Detail
Photo: Patricia Hills
The Field Hospital, 1867 (Hills no. 10.0.23). Detail
Detail
Photo: Patricia Hills
The Field Hospital, 1867 (Hills no. 10.0.23). Detail
Detail
Photo: Patricia Hills
The Field Hospital, 1867 (Hills no. 10.0.23). Inscription
Inscription
Photo: Patricia Hills
10.0 Civil War Themes

Johnson was thirty-six years old when the Civil War began. Although he did not serve in the Union Army, he followed the Union troops in search of subjects that would appeal to a pro-Union audience. He also painted pictures of the homefront. —PH

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Hills no. 10.0.23
The Field Hospital
Alternate title: The Letter Home
1867
Oil on paperboard
23 x 27 1/2 in. (58.4 x 69.8 cm)
Signed and dated lower left: E. Johnson/1867; on packing case at right: U. S. / SANITAR[Y] / COM[MISSION]
Description / Remarks

Hills, 2021: Don Richard Lauter of Disputanta, Virginia, and a Civil War buff, suggested to me that Johnson's inspiration for the scene in The Field Hospital was General Francis Channing Barlow, who was confined to a field hospital, where his wife, Arabella Barlow, nursed him, following the battle at Antietam on September 17, 1862, when he was badly wounded. As noted in Hills 1986, Baur placed Johnson at Antietam at that time. Barlow is also the figure in Homer's Prisoners from the Front

New York Times, May 14, 1868, p. 5, review of National Academy of Design exhibition: "Mr. Eastman Johnson is more liberal toward the public [than J. F. Weir]. He sends three pictures—two of which are in his peculiar style, and the other somewhat out of it. The latter is called 'The Field Hospital,' (No. 250). It is, of course, a meritorious work, and certainly the best of those exhibited by this gentleman. The subject is simple and quickly con­veyed. A young soldier lays [sic] wounded on a hospital couch beneath a pleasant shade of a grove of trees. By his side and in the act of transcribing a letter from his dictation is a young lady. The background is filled up with huts and sentinels. The story is very tender and touching and is told with much frankness. Mr. Johnson avoids the common error of harrowing up the feelings by mere ghastliness. The good-looking lad, with his honest sun-burnt face and still expression, excites the sympathy of the beholder from the sheer reality of his misfortune."

Provenance
George H. Purser, New York, 1868
Mrs. Ernest Pope, Atlanta, until c. April 1, 1946
Vose Galleries, Boston, c. April 1, 1946
Maxim Karolik, May 1, 1946 (by purchase)
Museum of Fine Arts, Boston, 1948 (by gift)
Exhibitions
1868 NAD
National Academy of Design, New York, April 15–June 20, 1868. (NAD 1868), no. 250, as The Field Hospital, owner Geo. H. Purser.
1956 MFA Boston
Museum of Fine Arts, Boston, American Paintings, 1815-1865: One Hundred and Thirty-Six Paintings from the M. and M. Karolik Collection in the Museum of Fine Arts, Boston, Together with Fourteen Paintings from the Private Collection of Maxim Karolik, 1956. (Exhibition catalogue: MFA Boston 1957).
1961 Corcoran Gallery of Art
Corcoran Gallery of Art, Washington, D.C., The Civil War: The Artists' Record, November 17–December 31, 1961. (Williams 1961), no. 58, 78, as The Letter Home. Traveled to: Museum of Fine Arts, Boston, Boston, February 1–March 4, 1962.
1972 Whitney Museum
Whitney Museum of American Art, New York, Eastman Johnson: Retrospective Exhibition, March 28–May 14, 1972. (Exhibition catalogue: Hills 1972a), no. 50, b/w illus., p. 43, as The Letter Home. Traveled to: The Detroit Institute of Arts, Detroit, June 7–July 22, 1972; Cincinnati Art Museum, Cincinnati, August 15–September 30, 1972; Milwaukee Art Center, Milwaukee, October 20–December 3, 1972.
References
NAD 1868
New York: National Academy of Design, 1868. Exhibition catalogue (1868 NAD), no. 250, as The Field Hospital.
New York Times 1868
"Fine Arts: National Academy of Design." New York Times, May 14, 1868, p. 5.
The Albion 1868
"Fine Arts: Academy of Design." The Albion (New York) 46, no. 20 (May 16, 1868), p. 237, as The Field Hospital.
MFA Boston 1957
American Paintings, 1815–1865: one hundred and thirty-six paintings from the M. and M. Karolik Collection in the Museum of Fine Arts, Boston, together with fourteen paintings from the private collection of Maxim Karolik. Boston: Museum of Fine Arts, 1957. Exhibition catalogue (1956 MFA Boston), p. 74–75, no. 101, illus.
Williams 1961
Williams, Hermann Warner. The Civil War: The Artists' Record. Washington, DC: Corcoran Gallery of Art, 1961. Exhibition catalogue (1961 Corcoran Gallery of Art), p. 78, no. 58, as The Letter Home.
MFA Boston 1969
American Paintings in the Museum of Fine Arts. Vols. 1 and 2. Boston: Museum of Fine Arts, 1969.
Hills 1972a
Hills, Patricia. Eastman Johnson: Retrospective Exhibition. New York: Clarkson N. Potter, 1972. Exhibition catalogue (1972 Whitney Museum), p. 43, no. 50, as The Letter Home.
Hills 1986
Hills, Patricia. "Eastman Johnson's The Field Hospital, the U.S. Sanitary Commission, and Women in the Civil War." The Minneapolis Institute of Arts Bulletin 65 (1981–82; published in 1986), as The Field Hospital.
Hills Examination / Opinion
Examination date(s): 1970-10-27; 2018-03-07
Examination notes: 1970-10-27: Yellow light filters through trees hitting bed and background tents. Lime greens and dark greens. Sentry stands above man's wrist. Red stripe on blanket. Halo of yellow green light behind man's pillow and hand.
Related work
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Keywords
Record last updated May 26, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Field Hospital, 1867 (Hills no. 10.0.23)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=119 (accessed on May 6, 2024).