Eastman Johnson Catalogue Raisonné

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Photo: Detroit Institute of Arts
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09.3 Black Children and Adolescents
During the 1860s Johnson painted Black men, women, and children that bestow on them dignity, intelligence, and grace. Many in his family, including his sister Harriet May and her husband Reverend Joseph May were ardent abolitionists. To Johnson, Blacks were not subjects to be ridiculed or satirized. —PH
Hills no. 9.3.8
The Young Sweep
Alternate titles: possibly Chimney-sweep; possibly The Sweep; A Young Chimney Sweep
1863
Oil on canvas
12 x 10 in. (30.5 x 25.4 cm)
Signed and dated lower center: E. Johnson/1863.
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Markings
Period gallery labels on verso:
Handwritten in pencil, indistinct: [very truly yrs] / Eastman Johnson [in Johnson's hand]
Printed: Kurtz Gallery, No. 6 East 23d Street, Madison Square. [According to Kenneth Myers, Curator and Head of Department of American Art, Detroit Institute of Arts, "William Kurtz (1833-1904) was a prominent New York photographer. His gallery was at No. 6 East 23 Street, opposite Madison Square, from 1874 until at least 1895."]
Printed, in red: 50953
Handwritten in pencil, indistinct: [very truly yrs] / Eastman Johnson [in Johnson's hand]
Printed: Kurtz Gallery, No. 6 East 23d Street, Madison Square. [According to Kenneth Myers, Curator and Head of Department of American Art, Detroit Institute of Arts, "William Kurtz (1833-1904) was a prominent New York photographer. His gallery was at No. 6 East 23 Street, opposite Madison Square, from 1874 until at least 1895."]
Printed, in red: 50953
Provenance
[Possibly Samuel P. Avery, New York, March 14–15, 1877, Association Hall (Y.M.C.A.), The Private Collection of Fine Oil Paintings, &c. by American and Foreign Artists, the Property of Mr. Silas C. Evans, no. 51 (as The Young Sweep), sold to J. A. Harper]
Private collection, by September 2017 (by descent)
Exhibitions
U.S. Sanitary Commission, New York, Art Exhibition at the Metropolitan Fair in Aid of the U.S. Sanitary Commission, April 4–23, 1864. (Exhibition catalogue: U.S. Sanitary Commission 1864), no. 213, [possibly, as The Young Sweep].
National Academy of Design, New York, Loan Exhibition in Aid of the Society of Decorative Art, 1877–78. (Exhibition catalogue: NAD 1877d), no. 175, [possibly, as The Sweep, lent by Mr. J. Abner Harper].
References
Catalogue of the Art Exhibition at the Metropolitan Fair, in Aid of the U.S. Sanitary Commission. New York: U.S. Sanitary Commission, 1864. Exhibition catalogue (1864b U.S. Sanitary Commission), p. 14, no. 213 [possibly, as The Young Sweep].
A Record of the Metropolitan Fair in Aid of the United States Sanitary Commission, Held at New York, in April, 1864; With Photographs. New York: Hurd and Houghton, 1867, p. 190 [possibly, as The Young Sweep].
Tuckerman, Henry T. Book of the American Artists: American Artist Life. New York: G. P. Putnam & Son, 1867, p. 630 [possibly, as Chimney-sweep, owner J. Harrison, Esq.]
Catalogue of the Private Collection of Fine Oil Paintings—By American and Foreign Artists, the Property of Mr. Silas C. Evans. New York: Samuel P. Avery, March 14–15, 1877. Sale catalogue, p. 11, no. 51 [possibly, as The Young Sweep].
Catalogue of Mr. Silas C. Evans' Private Collection of Paintings. New York: National Academy of Design, March 1877. Exhibition catalogue (1877a NAD), p. 15, no. 175 [possibly, as The Sweep, lent by Mr. J. Abner Harper].
"Review of J. Abner Harper Sale." Harper’s Monthly 60 (May 1880), p. 938 [possibly]: "This piquant and interesting collection had no picture more attractive as a piece of pure sentiment than a negro boy—a sweep—by Eastman Johnson. The innocence, the characteristic beauty, the unconscious pathos, arrested the eye and mind first, and then the excellence of the execution. Finish without “niggling,” breadth, firmness, purity of tone, depth of color, an effortless and harmonious blending as in a beautiful melody—these were all obvious, and through them all shown the human tenderness which makes the whole world kin. It was not a conceit, it was a picture."
Catalogue of Paintings in Oil and Water Colors, the Private Collection of Mr. J. Abner Harper. New York: Leavitt Art Galleries, March 12–13, 1880. Sale catalogue, n.p., no. 92 [possibly, as The Sweep].
"American Art Chronicle." The American Art Review 1, no. 6 (April 1880), pp. 269 [possibly, as The Sweep].
MacGibeny, Abigael. "Eastman Johnson, 'America’s Rembrandt,' Was Nurtured by His Experience in Europe." the low countries (Belgium and The Netherlands), November 16, 2021, illus., as The Young Sweep.
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Record last updated December 6, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Young Sweep, 1863 (Hills no. 9.3.8)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1495 (accessed on May 9, 2025).