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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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36.0 Uncategorized Paintings

Works in the Eastman Johnson Catalogue Raisonné are organized into themes based on medium, locale (United States or Europe), and subject matter. Portraits made in the United States are further categorized by when Johnson made them: early (before he went to Europe in 1849) and late (after he returned to the United States in 1855). Uncategorized paintings are paintings for which all of these details are unknown. Either the subject matter indicated by the title is ambiguous (for example, “An Arrangement in Black and White”) or the subject matter is clear (for example, A Boy in a Torn Straw Hat), but it is unknown when and/or where Johnson made the work. In some cases it is not even certain but deduced from the available information that the works are paintings rather than drawings. Future research may enable the works in this theme to be identified more specifically.

There are also paintings in our research records that are not categorized and included in the catalogue raisonné, because they have not been proven to be unique works. They may be the same as paintings already included in the EJCR with different titles. In those cases, we add information from the not-included work (title, provenance, etc.) to the entry for the included work as “possibly.” We will add catalogue entries for those works in the future if research proves them to be unique. —AM

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Hills no. 36.0.8
The Captive
c.1857
Oil
[dimensions unknown]
Description / Remarks

MacGibeny, 2021: The title of this painting indicates that the subject may be a prisoner, and the work is potentially related to the drawing and painting titled Pestal (c. 1857 and 1858, respectively), the painting Galileo in Prison (c. 1864), the drawing The Prisoner (c. 1864), or the two later paintings titled Prisoner of State (c. 1874).

Provenance
Present whereabouts unknown
Exhibitions
1857 Washington Art Association
Washington Art Association, Washington, D.C., First Annual Exhibition, 1857. (Exhibition catalogue: Washington Art Association 1857), no. 113, as The Captive, owner Eastman Johnson, Washington, D.C.
References
Washington Art Association 1857
Washington Art Association. Catalogue of the Works of Art Comprising the First Annual Exhibition. Washington, DC: Printed at Polkinhorn's Steam Job Office, 1857. Exhibition catalogue (1857 Washington Art Association), p. 6, no. 113, as The Captive, owner Eastman Johnson, Washington, D.C.
Douglass 1999
Douglass, Julie M. "Lifetime Exhibition History." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue, p. 259, as The Captive.
Keywords
Record last updated March 22, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Captive, c.1857 (Hills no. 36.0.8)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1505 (accessed on May 3, 2024).