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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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12.0 Interiors—No or Slight Figures

Johnson often painted interiors without people, no doubt studies from real life. He used such oil studies to provide context for genre scenes. Objects resting on mantles, such as ceramic parrots or earthenware jars, frequently reappear, rearranged in interior genre scenes. —PH

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Hills no. 12.0.2
The Home Studio
c.1864
Oil
[dimensions unknown]
Provenance
J. McEntee, New York, by 1864
Present whereabouts unknown
Exhibitions
1864 Maryland State Fair
Maryland State Fair, Baltimore, April 1864. (Exhibition catalogue: Maryland State Fair 1864), no. 105, as The Home Studio, owner J. McEntee.
References
Maryland State Fair 1864
Catalogue: Art Exhibition. Baltimore: Maryland State Fair, 1864. Exhibition catalogue (1864 Maryland State Fair), no. 105, as The Home Studio, owner J. McEntee.
Douglass 1999
Douglass, Julie M. "Lifetime Exhibition History." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue, p. 260, as The Home Studio.
Record last updated August 30, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Home Studio, c.1864 (Hills no. 12.0.2)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1514 (accessed on April 28, 2024).