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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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36.0 Uncategorized Paintings

Works in the Eastman Johnson Catalogue Raisonné are organized into themes based on medium, locale (United States or Europe), and subject matter. Portraits made in the United States are further categorized by when Johnson made them: early (before he went to Europe in 1849) and late (after he returned to the United States in 1855). Uncategorized paintings are paintings for which all of these details are unknown. Either the subject matter indicated by the title is ambiguous (for example, “An Arrangement in Black and White”) or the subject matter is clear (for example, A Boy in a Torn Straw Hat), but it is unknown when and/or where Johnson made the work. In some cases it is not even certain but deduced from the available information that the works are paintings rather than drawings. Future research may enable the works in this theme to be identified more specifically.

There are also paintings in our research records that are not categorized and included in the catalogue raisonné, because they have not been proven to be unique works. They may be the same as paintings already included in the EJCR with different titles. In those cases, we add information from the not-included work (title, provenance, etc.) to the entry for the included work as “possibly.” We will add catalogue entries for those works in the future if research proves them to be unique. —AM

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Hills no. 36.0.12
Prayer
Alternate titles: likely Girl kneeling at her Orisons; possibly Lady at Prayer
c.1860
Oil
[dimensions unknown]
Provenance
James A. Suydam, by 1860 (as Prayer)
Possibly James M. Burt, New York, by 1864 (as Prayer)
Possibly Marshall O. Roberts by 1867 (as Lady at Prayer)
Present whereabouts unknown
Exhibitions
1860 Dodsworth's
Dodsworth's, New York, February 4, 1860, [likely, as Girl Kneeling at her Orisons].
1860 Artists' Fund Society
Artists' Fund Society, New York, December 22, 1860, no. 128, as Prayer, owner J. A. Suydam.
1864 Great Central Fair for the Benefit of the U.S. Sanitary Commission
Great Central Fair for the Benefit of the U.S. Sanitary Commission, Philadelphia, June 1864. (Great Central Fair 1864), no. 117, [possibly, as Prayer, owner J. M. Burt, New York].
References
The Crayon 1860a
"Sketchings: Domestic Art Gossip." The Crayon (February 1860), p. 56 [likely, as Girl kneeling at her Orisons], "We noticed in the collection [at Dodsworth's]…a Girl kneeling at her Orisons, by Johnson…"
Great Central Fair 1864
Paintings, Drawings, Statuary in the Great Central Fair. Philadelphia: Great Central Fair, 1864. Exhibition catalogue (1864 Great Central Fair for the Benefit of the U.S. Sanitary Commission), p. 8, no. 117 [possibly, as Prayer, owner J. M. Burt, New York].
Tuckerman 1867
Tuckerman, Henry T. Book of the American Artists: American Artist Life. New York: G. P. Putnam & Son, 1867, p. 626 [possibly, as Lady at Prayer].
Douglass 1999
Douglass, Julie M. "Lifetime Exhibition History." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue, p. 260, as Prayer.
Keywords
Record last updated October 14, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Prayer, c.1860 (Hills no. 36.0.12)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=1516 (accessed on April 27, 2024).