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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

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Photo: Eastman Johnson, The Maple Sugar Camp—Turning Off, 1861–65; © Carmen Thyssen-Bornemisza Collection on deposit at Museo Thyssen-Bornemisza, Madrid
13.4 Maple Sugar Camps, 1860s—Panoramic Scenes

The making of maple sugar was a traditional industry for Maine people, as it still is today. Johnson specifically traveled to Maine, his birthplace, in the early spring of the early 1860s to study and watch farmers as they tapped the trees, gathered sap, and then set up camps to boil the sap down to thick, sweet maple syrup. As scholar Brian Allen has pointed out, during the Civil War years, maple syrup was a patriotic alternative to the sugar cane sugar of Southern plantations [See Allen 2004]. Allen quotes the Philadelphia physician and abolitionist Benjamin Rush, who said in 1792: “I cannot help contemplating a maple sugar tree without a species of veneration, for I behold in it a happy means of rendering commerce and slavery of African brethren in sugar islands as unnecessary” [See Allen 2004, p. 47].

The camps became hubs of dancing, flirting, and jocular humor, and included children mingling with adults. Although Johnson worked on making sketches for years, he never completed a finished version of the “larger & more pretenscious [sic] sugaring picture” that he wrote to patron John Coyle he had planned to make. —PH

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Hills no. 13.4.2
The Maple Sugar Camp—Turning Off
Alternate title: Maple Sugar Camp, Maine
c.1861–65
Oil on board
10 x 22 in. (25.4 x 55.9 cm)
Initialed lower right in brown: EJ; verso: The Maple Sugar Camp/North Fayette/Maine/"Turning Off"/The hilarious ocasion [sic]/Maple sugar making
Description / Remarks

Hills, 2021: The evidence for the date range of 1861–65 is a letter from Johnson to patron John Coyle dated March 13, 1864. Johnson states that he plans to do a "larger & more pretenscious" [sic] sugaring picture and is "starting for the country to make studies for a month or six weeks"; that this is his fourth annual trip to Maine to do so; and that he "hope[s] to paint it next autumn & winter."

Provenance
[Fifth Avenue Art Galleries, New York, November 6, 1914, Valuable Oil Paintings to be sold by order of several Executors and private Estates, also Property of Mrs. Williams-Heye and W. K. Wilson, Esq., no. 200 (as Maple Sugar Camp, Maine)]
Kennedy Galleries, Inc., New York, until 1958
Pauline Stanbury (Mrs. Norman B.) Woolworth, New York and Winthrop, Maine, 1958–1979 (by purchase)
Hirschl & Adler Galleries, New York, 1979–1981
Museo Thyssen-Bornemisza, Madrid, Spain, 1981 (by purchase)
Exhibitions
1970 Coe Kerr Gallery
Coe Kerr Gallery, Inc, New York, The American Painting Collection of Mrs. Norman B. Woolworth, November 10–28, 1970. (Gerdts 1970), no. 64.
1980 Hirschl & Adler
Hirschl & Adler Galleries, New York, American Art from the Gallery's Collection, October 4–25, 1980, no. 34, as The Maple Sugar Camp–"Turning Off".
1981 Terra Museum of American Art
Terra Museum of American Art, Evanston, Illinois, Life in 19th Century America: An Exhibition of Genre Painting, September 11–November 15, 1981. (Terra Museum of American Art 1981), no. 54.
References
Johnson, Eastman 1864b
Eastman Johnson letter to John Coyle, March 13, 1864, Johnson states that he plans to do a "larger & more pretenscious [sic]" sugaring picture and is "starting for the country to make studies for a month or six weeks"; that this is his fourth annual trip to Maine to do so; and that he "hope[s] to paint it next autumn & winter," quoted in Selection of Artist’s Letters 1999.
Fifth Avenue Art Galleries 1914
Catalogue of Valuable Oil Paintings to be Sold by Order of Several Executors and Private Estates, also Property of Mrs. Williams-Heye and W. K. Wilson, Esq. New York: Fifth Avenue Art Galleries, 1914. Sale catalogue, n.p., no. 200, as Maple Sugar Camp, Maine, 10 x 22.
Antiques 1956c
"Kennedy Galleries advertisement." Antiques 70, no. 6 (December 1956), p. 521, Kennedy Galleries advertisement.
Gerdts 1970
Gerdts, William H. The American Painting Collection of Mrs. Norman B. Woolworth. New York: Coe Kerr Gallery, 1970. Exhibition catalogue (1970 Coe Kerr Gallery), no. 64, p. 39, p. 56, illus.
Flexner 1970b
Flexner, James Thomas. That Wilder Image: The painting of America's Native School from Thomas Cole to Winslow Homer. New York: Dover Publications, 1970, p. 204, as The Maple Sugar Camp—Turning Off.
Williams 1973
Williams, Hermann Warner, Jr. Mirror to the American Past: A Survey of American Genre Painting, 1750–1900. Greenwich, CT: New York Graphic Society, 1973, pp. 146-147, fig. 136 illus. [dates the painting 1875].
Hirschl & Adler Galleries 1980
American Art from the Gallery's Collection. New York: Hirschl & Adler Galleries, 1980, no. 34, p. 45 illus., as The Maple Sugar Camp–"Turning Off".
Terra Museum of American Art 1981
Life in 19th Century America. Evanston, IL: Terra Museum of American Art, 1981. Exhibition catalogue (1981 Terra Museum of American Art), no. 54, p. 28 illus.
Selection of Artist's Letters 1999
"A Selection of the Artist's Letters." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue.
Hills Examination / Opinion
Examination date(s): 1970-11-09 (at Coe Kerr)
Examination notes: Very sketchy but colors are fresh. Gray haze in middle turning pinkish-gray at right (above where boiling pot is) and turning black-gray to the left. White snow laid on in broad strokes. Sienna color inside shed. Storyteller at left; Sly Drink scene at right. Dancers in exact middle. Brown strokes used to give definition to figures.
Keywords
Record last updated June 2, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Maple Sugar Camp—Turning Off, c.1861–65 (Hills no. 13.4.2)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=171 (accessed on April 29, 2024).