Catalogue Entry
When Johnson returned from Europe late in 1855 and moved in with his family in Washington, D.C., he began receiving portrait commissions. Like the commissioned drawings done earlier, Johnson generally used charcoal (named in some records as black chalk) with touches of white and created a strong chiaroscuro for his sitters. In his later professional years as a painter of oil few portraits of children are recorded. His art commanded high prices; perhaps families were then reluctant to include their children in sittings for portrait drawings. —PH
Philip Johnson Wilson, Sr. (1854–1926). Nephew of Johnson; son of Johnson's sister Judith and her husband James G. Wilson (both of whom were portrayed by Johnson). Graduated from Yale University in 1877; married in 1894.
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