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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Courtesy of Hirschl & Adler Galleries, Inc.
13.5 Maple Sugar Camps, 1860s—Small Scenes

The making of maple sugar was a traditional industry for Maine people, as it still is today. Johnson specifically traveled to Maine, his birthplace, in the early spring of the early 1860s to study and watch farmers as they tapped the trees, gathered sap, and then set up camps to boil the sap down to thick, sweet maple syrup. As scholar Brian Allen has pointed out, during the Civil War years, maple syrup was a patriotic alternative to the sugar cane sugar of Southern plantations [See Allen 2004]. Allen quotes the Philadelphia physician and abolitionist Benjamin Rush, who said in 1792: “I cannot help contemplating a maple sugar tree without a species of veneration, for I behold in it a happy means of rendering commerce and slavery of African brethren in sugar islands as unnecessary” [See Allen 2004, p. 47].

The camps became hubs of dancing, flirting, and jocular humor, and included children mingling with adults. Although Johnson worked on making sketches for years, he never completed a finished version of the “larger & more pretenscious [sic] sugaring picture” that he wrote to patron John Coyle he had planned to make. —PH

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Hills no. 13.5.2
Tasting the Sap
Alternate title: Drinker - Sketch for Sugaring Off
c.1861–65
Oil on composition board
16 x 10 1/4 in. (40.6 x 26 cm)
Initialed lower right: E. J.
Description / Remarks

Hills, 2021: The evidence for the date range of 1861–65 is a letter from Johnson to patron John Coyle dated March 13, 1864. Johnson states that he plans to do a "larger & more pretenscious" [sic] sugaring picture and is "starting for the country to make studies for a month or six weeks"; that this is his fourth annual trip to Maine to do so; and that he "hope[s] to paint it next autumn & winter."

Provenance
Private collection, by November 1967
[Hirschl & Adler Galleries, New York, November 1967]
Private collection, February 1968 (by purchase)
Private collection, by 1970s
Present whereabouts unknown
Exhibitions
1949 Los Angeles County Museum of History, Science, and Art
Los Angeles County Museum of History, Science, and Art, Los Angeles, Winslow Homer 1836–1910, Eastman Johnson 1824–1906, February 4, 1949–May 7, 1950. (Exhibition catalogue: LACMA 1949), no. 3, as Tasting the Sap. Traveled to: Denver Art Museum, Denver, 1949; Fine Arts Gallery, San Diego, 1949 (Fine Arts Society of San Diego 1949); Museum of Fine Arts, Houston, 1949 (Fine Arts Society of San Diego 1949); Oklahoma Arts Center, Oklahoma City, 1949 (Fine Arts Society of San Diego 1949); Seattle Art Museum, Seattle, 1949 (Fine Arts Society of San Diego 1949); Takoma Art League, Takoma, Washington, 1949 (Fine Arts Society of San Diego 1949); Witte Memorial Museum, San Antonio, 1949 (Fine Arts Society of San Diego 1949).
References
Johnson, Eastman 1864b
Eastman Johnson letter to John Coyle, March 13, 1864, Johnson states that he plans to do a "larger & more pretenscious [sic]" sugaring picture and is "starting for the country to make studies for a month or six weeks"; that this is his fourth annual trip to Maine to do so; and that he "hope[s] to paint it next autumn & winter," quoted in Selection of Artist’s Letters 1999.
Fine Arts Society of San Diego 1949
Winslow Homer 1836–1910; Eastman Johnson 1824–1906. San Diego, CA: Fine Arts Society of San Diego, 1949. Exhibition catalogue (1949 Los Angeles County Museum of History, Science, and Art), no. 3, as Tasting the Sap.
Selection of Artist's Letters 1999
"A Selection of the Artist's Letters." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue.
Hills Examination / Opinion
Examination date(s): 1970s
Examination notes: Turquoise vest, red shirt, yellow pants, pale brown boots, same colored board he leans against. His right arm and hand are not worked out very well. Scrubbed and scumbled paint on right and face soft especially under brow. Pencil lines on boots, trousers, etc. Soft pink brown in back.
Keywords
Record last updated November 26, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Tasting the Sap, c.1861–65 (Hills no. 13.5.2)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=190 (accessed on May 7, 2024).