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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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© 2006 Christie’s Images Limited
13.6 Maple Sugar Camps, 1860s—In the Woods

The making of maple sugar was a traditional industry for Maine people, as it still is today. Johnson specifically traveled to Maine, his birthplace, in the early spring of the early 1860s to study and watch farmers as they tapped the trees, gathered sap, and then set up camps to boil the sap down to thick, sweet maple syrup. As scholar Brian Allen has pointed out, during the Civil War years, maple syrup was a patriotic alternative to the sugar cane sugar of Southern plantations [See Allen 2004]. Allen quotes the Philadelphia physician and abolitionist Benjamin Rush, who said in 1792: “I cannot help contemplating a maple sugar tree without a species of veneration, for I behold in it a happy means of rendering commerce and slavery of African brethren in sugar islands as unnecessary” [See Allen 2004, p. 47].

The camps became hubs of dancing, flirting, and jocular humor, and included children mingling with adults. Although Johnson worked on making sketches for years, he never completed a finished version of the “larger & more pretenscious [sic] sugaring picture” that he wrote to patron John Coyle he had planned to make. —PH

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Hills no. 13.6.1
Setting the Trap
c.1861–65
Oil on board
8 7/8 x 6 3/4 in. (22.5 x 17.1 cm)
Signed lower left: E. Johnson
Description / Remarks

Hills, 2021: The evidence for the date range of 1861–65 is a letter from Johnson to patron John Coyle dated March 13, 1864. Johnson states that he plans to do a "larger & more pretenscious" [sic] sugaring picture and is "starting for the country to make studies for a month or six weeks"; that this is his fourth annual trip to Maine to do so; and that he "hope[s] to paint it next autumn & winter."

Hills opinion letter, 2006: "The boy sets his trap at the base of a tree in a late winter woodland scene. The work is wonderfully atmospheric; the day seems overcast as saplings rise only dimly in the background. It is a quiet moment as the boy kneels down and with concentration adjusts the trap."

Provenance
Wildenstein and Company, New York
Dr. Irving Levitt, Southfield, Michigan
Kennedy Galleries, Inc., New York, by 1967
James and Margaret Smith, Louisville, Kentucky, April 1967 (by purchase)
Private collection, by 2006 until 2014 (by descent)
Christie's, May 25, 2006, lot 85 (as Setting the Trap); did not sell
[Christie's, 2014, private sale]
Unidentified buyer, 2014
Present whereabouts unknown
Exhibitions
1971 Speed Art Museum
J. B. Speed Art Museum, Louisville, Kentucky, The James and Margaret Smith Collection, March 2–28, 1971. (J. B. Speed Art Museum 1971), no. 39.
1974 Fred P. Giles Gallery
Fred P. Giles Gallery, Eastern Kentucky University, Richmond, Kentucky, Centennial Exhibition: A Century of American Paintings, January 13–February 8, 1974. (Eastern Kentucky University 1974), no. 44.
References
Johnson, Eastman 1864b
Eastman Johnson letter to John Coyle, March 13, 1864, Johnson states that he plans to do a "larger & more pretenscious [sic]" sugaring picture and is "starting for the country to make studies for a month or six weeks"; that this is his fourth annual trip to Maine to do so; and that he "hope[s] to paint it next autumn & winter," quoted in Selection of Artist’s Letters 1999.
Kennedy Quarterly 1967
The Kennedy Quarterly 7, no. 1 (March 1967), 46 illus.
J. B. Speed Art Museum 1971
The James and Margaret Smith Collection. Louisville, KY: J. B. Speed Art Museum, 1971. Exhibition catalogue (1971 Speed Art Museum), no. 39.
Eastern Kentucky University 1974
Centennial Exhibition: A Century of American Painting. Richmond, KY: Eastern Kentucky University, 1974. Exhibition catalogue (1974 Fred P. Giles Gallery), pp. 4, 9, 46, no. 44.
Selection of Artist's Letters 1999
"A Selection of the Artist's Letters." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue.
Hills Examination / Opinion
Examination date(s): 2006-04-18
Hills opinion letter: May 13, 2006 view »
Keywords
Record last updated November 26, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Setting the Trap, c.1861–65 (Hills no. 13.6.1)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=194 (accessed on May 6, 2024).