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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Patricia Hills
The Savoyard, c.1853 (Hills no. 3.3.8). Detail
Detail
Photo: Patricia Hills
The Savoyard, c.1853 (Hills no. 3.3.8). Detail
Detail
Photo: Patricia Hills
The Savoyard, c.1853 (Hills no. 3.3.8). Black & white
Black & white
03.3 Euro Peasant Types, Children and Adolescents

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Hills no. 3.3.8
Baur no. 11 / 1907 Sale no. 75
The Savoyard
Alternate titles: possibly Een Savoijaard [A Savoyard]); possibly Savoyard; Italian Boy; The Savoyard Boy
c.1853
Oil on canvas laid down on board
36 x 29 in. (91.4 x 73.7 cm)
Neither signed nor dated
1907 Estate Sale info
No. 75: "The full-length figure of a young lad, dressed from head to foot in the characteristic costume of a chimney sweep, his right arm akimbo and his left hanging from his side. He stands in full sunlight leaning against a rough plastered wall, and on the left is a door closed by hasp and padlock, while on the right is a grape vine growing and clinging against the wall. His soot sack and broom lie on the ground near him."
"Height, 36 inches; width, 29 inches."
[Annotation: “205.00 / W. B. Cogswell / (not now)”]
Provenance
Eastman Johnson estate/Mrs. Eastman Johnson, New York, 1906 (by bequest)
[The artist's estate sale, American Art Association, New York, February 26–27, 1907, no. 75 (as The Savoyard)]
William Browne Cogswell, Syracuse, New York, husband of the artist's niece, Mary Naomi Johnson Cogswell (daughter of the artist's brother Reuben), February 26, 1907 (by purchase)
Likely Mabel Cogswell Button, his daughter (by descent)
Leonora Chandler Button Hutchins (Mrs. Philip M. Hutchins), her daughter, by 1940 (by descent)
Mary Naomi Cogswell Button Lieberman, her niece (by descent)
Harold Lieberman, St. Cloud, Minnesota, her husband, 2010
Exhibitions
1854 Academie van Beeldende Kunsten en Technische Wetenschappen
Academie van Beeldende Kunsten en Technische Wetenschappen, Rotterdam, the Netherlands, Tentoonstelling door de Academie van Beeldende Kunsten en Technische Wetenschappen te Rotterdam, 1854, no. 137, [possibly, as Een Savoijaard (A Savoyard))].
1856 NAD
National Academy of Design, New York, March 14–May 10, 1856, no. 194, [possibly, as The Savoyard], for sale.
1856 Boston Athenaeum
Boston Athenaeum, Boston, June 1856, no. 374, [possibly], as The Savoyard.
1907a Century Association
Century Association, New York, Memorial Exhibition of Eastman Johnson, February 9–13, 1907, [possibly, as Savoyard].
References
Walton 1906
Walton, William. "Eastman Johnson, Painter." Scribner's Magazine 40 (September 1906), p. 268 [possibly, as Savoyard].
Selby 1907
Selby, Mark. "An American Painter: Eastman Johnson." Putnam's Monthly 2 (August 1907), p. 535 [possibly, as The Savoyard].
AAA 1907b
Catalogue of Finished Pictures, Studies, and Drawings by the Late Eastman Johnson, N.A. New York: American Art Association, February 1907. Sale catalogue, n.p., no. 75, as The Savoyard.
American Art News 1907b
"Eastman Johnson Sale." American Art News 5, no. 20 (March 2, 1907).
Hartmann 1908
Hartmann, Sadakichi. "Eastman Johnson: American Genre Painter." The International Studio 34 (April 1908), p. 110 [possibly].
Kennedy Galleries 1920
Catalogue of an Exhibition of Charcoal Drawings by Eastman Johnson. New York: Kennedy Galleries, 1920. Exhibition catalogue (1920 Kennedy Galleries), p. 12, addendum “Paintings by Eastman Johnson" [possibly, as The Savoyard].
Baur 1940
Baur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn Museum), no. 11, as The Savoyard.
Carbone and Hills 1999
Carbone, Teresa A., and Patricia Hills. Eastman Johnson: Painting America. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue (1999 Brooklyn Museum), p. 26, fig. 19, as The Savoyard Boy.
Hills Examination / Opinion
Examination date(s): May 16, 2019
Examination notes: Beautiful painting. Typical underpainting used as the middle tones; impasto slight. Painterly short strokes. Patchy highlights on face; dots on the eyes. Large eyes and full red lips (appealing to an audience). Loose jacket. Palette knife used in background to give the illusion of stucco. Sense of outlining on leggings and shoes.
Hills opinion letter: February 18, 1991 view »
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Record last updated March 30, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Savoyard, c.1853 (Hills no. 3.3.8)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=25 (accessed on April 26, 2024).