Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager
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Image courtesy of Luc Demers (Portland Museum of Art)
13.7 Maine Haylofts, 1870s

In 1877, and possibly 1878, Johnson visited his sister Harriet May and her family in Kennebunkport, Maine. He found a delightful subject in the games the children played in the barn. For Johnson it was another opportunity to render darkened interiors, from which figures emerge, with sunlight shining through loft doors and playing off the partially illuminated figures and objects in the foreground. It is quite likely that many of the paintings were finished in his New York studio. —PH

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Hills no. 13.7.8
Baur no. 135 / 1907 Sale no. 50
A Quiet Hour
Portland Museum of Art title: The Quiet Hour
c.1877–79
Oil on canvas
19 x 21 1/2 in. (48.3 x 54.6 cm)
Initialed lower right: E.J.
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Record last updated August 1, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "A Quiet Hour, c.1877–79 (Hills no. 13.7.8)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=366 (accessed on April 23, 2024).