
In June 1869 Johnson married Elizabeth Buckley of Troy, New York, and the following summer he and his wife and their baby, Ethel, went to Nantucket, Massachusetts for the season. Johnson responded enthusiastically to Nantucket, which seemed to be filled with characters and activities that appealed to him, and the couple returned to the island each summer. Beside painting genre scenes of men, women, and children both indoors and outside, Johnson launched a major theme—the cranberry harvest—a time in the fall when the whole community turned out to pick the wild cranberries ripening in the bogs of Nantucket. Johnson made at least eighteen studies before crafting his major painting, The Cranberry Harvest, which was exhibited at the National Academy of Design in 1880. —PH

Hills, 2022: Although John I. H. Baur owned and annotated a copy of the catalogue of Johnson's 1907 Estate Sale, he did not include this work in his own 1940 catalogue listing; he must have obtained it after publication.

"Signed at the lower left, E. Johnson.
Height, 22 inches; length, 26 ½ inches."
[Annotation: “275.00 / Louis Ettlinger"]
Vendor sticker, verso, on stretcher, center: CHRISTIE'S / RL487/2 / (barcode) / 25515244 / AMP
Inscribed verso, on frame liner, upper left to center left: #10659 CAG Framing 11/12
Inscribed verso, on frame liner, upper left to center left: #10159 CAG Framing 11/12
Label verso, on stretcher, upper left: CINCINNATI / (icon) ART / MUSEUM / Great Art In Eden Park / 953 Eden Park Drive Cincinnati, OH 45202 / 2007.70 / Eastman Johnson (American, b. 1824, d. 1906) / PLAY ME A TUNE / 1880 / oil on board mounted on masonite / Museum Purchase: The Edwin and / Virginia Irwin Memorial, the John J. / Emery Endowment, and the Mr. and Mrs. / Harry S. Leyman Endowment
2007-03-23: Floor boards and loose lines; highlights on piano legs—loose. Hands of woman—not articulated; can see slight red underneath. Girl: nice face—red wispy lines—tiny from nose. Looks like a fingerprint on sleeve of her dress. Highlights on brass tacks of the footstool. Fireplace to left. Highlights on andirons. Three shelves with glass vessels—nice highlights; photo on shelf. Woman; dark skirt—turquoise sleeves; cuffs dark brown (fur?). Green bowl at right on top of desk. Grey background—cracking—scumbled. Unusual lime green cloth.
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