Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager
print this page
« previous // return to Catalogue // next »

Catalogue Entry

enlarge
Photo: Princeton University
Study for
Overall
Photo: Abigael MacGibeny
Study for
Frame
Photo: Abigael MacGibeny
Study for
Detail
Photo: Abigael MacGibeny
Study for
Detail
Photo: Abigael MacGibeny
Study for
Detail
Photo: Abigael MacGibeny
Study for
Detail
Photo: Abigael MacGibeny
26.1 Nantucket Genre—Indoors

In June 1869 Johnson married Elizabeth Buckley of Troy, New York, and the following summer he and his wife and their baby, Ethel, went to Nantucket, Massachusetts for the season. Johnson responded enthusiastically to Nantucket, which seemed to be filled with characters and activities that appealed to him, and the couple returned to the island each summer. Beside painting genre scenes of men, women, and children both indoors and outside, Johnson launched a major theme—the cranberry harvest—a time in the fall when the whole community turned out to pick the wild cranberries ripening in the bogs of Nantucket. Johnson made at least eighteen studies before crafting his major painting, The Cranberry Harvest, which was exhibited at the National Academy of Design in 1880. —PH

View all works in this theme »

Hills no. 26.1.6
Baur no. 62 / 1907 Sale no. 64
Study for "A Glass with the Squire"
1907 Sale title: A Glass with the Squire
Princeton University Art Museum title: Study for A Glass with the Squire
Alternate title: Study for the Glass with the Squire
c.1873–80
Oil on paper board
25 3/8 x 20 7/8 in. (64.5 x 53 cm)
Neither signed nor dated
loading
Record last updated June 14, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Study for "A Glass with the Squire", c.1873–80 (Hills no. 26.1.6)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=394 (accessed on April 19, 2024).