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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Gilcrease Museum, Tulsa, OK
26.1 Nantucket Genre—Indoors

In June 1869 Johnson married Elizabeth Buckley of Troy, New York, and the following summer he and his wife and their baby, Ethel, went to Nantucket, Massachusetts for the season. Johnson responded enthusiastically to Nantucket, which seemed to be filled with characters and activities that appealed to him, and the couple returned to the island each summer. Beside painting genre scenes of men, women, and children both indoors and outside, Johnson launched a major theme—the cranberry harvest—a time in the fall when the whole community turned out to pick the wild cranberries ripening in the bogs of Nantucket. Johnson made at least eighteen studies before crafting his major painting, The Cranberry Harvest, which was exhibited at the National Academy of Design in 1880. —PH

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Hills no. 26.1.12
Baur no. 145 / 1907 Sale no. 51
What the Shell Says
Alternate titles: possibly What the Shells Say; Listening to the Shell
c.1875
Oil on academy board
21 1/8 x 17 in. (53.7 x 43.2 cm)
Initialed lower left: E.J.
1907 Estate Sale info
No. 51: "A little girl, reaching as high as she can, holds a large shell to the ear of her grandfather, who stoops over, supporting himself with both hands on his knees. With upturned face and eager expression she watches the old man, who is evidently affecting a pleased surprise at the noises of the sea which come to him from the depths of the shell. The little girl is dressed in a blue pinafore, with a ruffle at the neck, high shoes and short socks, and the old man is in his shirt-sleeves, with loose brown waistcoat and trousers. In the background is suggested a fireplace.
"The day after this picture was exhibited a charming poem was published in the Zeitung entitled 'Was sagt die Muschel?'"
"Signed at the lower left, E. J.
Height, 21 inches; width, 17 inches."
[Annotation: “165.00 / W. B. Cogswell"]
Provenance
Eastman Johnson estate/Mrs. Eastman Johnson, New York, 1906 (by bequest)
[The artist's estate sale, American Art Association, New York, February 26–27, 1907, no. 51 (as What the Shell Says)]
William Browne Cogswell, Syracuse, New York, husband of the artist's niece, Mary Naomi Johnson Cogswell (daughter of the artist's brother Reuben), February 26, 1907 (by purchase)
Cora Browning Cogswell, his wife, 1921 (by bequest)
Florence Pearl and Elizabeth C. Browning, Syracuse, New York, her sisters, 1936 (by bequest)
Douthitt Galleries, New York, by 1942 (as Listening to the Shell)
Thomas Gilcrease, Oklahoma, 1942 (by purchase)
Gilcrease Museum, Tulsa, Oklahoma, 1955 (by gift)
Exhibitions
1907a Century Association
Century Association, New York, Memorial Exhibition of Eastman Johnson, February 9–13, 1907, as What the Shell Says.
1958 Oklahoma Art Center
Oklahoma Art Center, Oklahoma City, Oklahoma Art Center Inaugural Exhibition, December 5, 1958–January 31, 1959. (Exhibition catalogue: Oklahoma Art Center 1958), no. 55, as Listening to the Shell.
References
AAA 1907b
Catalogue of Finished Pictures, Studies, and Drawings by the Late Eastman Johnson, N.A. New York: American Art Association, February 1907. Sale catalogue, n.p., no. 51, as What the Shell Says.
American Art News 1907b
"Eastman Johnson Sale." American Art News 5, no. 20 (March 2, 1907), p. 3, as What the Shell Says.
Kennedy Galleries 1920
Catalogue of an Exhibition of Charcoal Drawings by Eastman Johnson. New York: Kennedy Galleries, 1920. Exhibition catalogue (1920 Kennedy Galleries), p. 13, addendum “Paintings by Eastman Johnson" [possibly, as What the Shells Say].
Baur 1940
Baur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn Museum), p. 66, no. 145, as What the Shell Says.
Oklahoma Art Center 1958
Oklahoma Art Center Inaugural Exhibition. Oklahoma City, OK: Oklahoma Art Center, 1958. Exhibition catalogue (1958 Oklahoma Art Center), n.p., no. 55, as Listening to the Shell.
The American Scene 1959
The American Scene 2, no. 3 (Fall 1959), p. 8, illus., as Listening to the Shell.
American Heritage 1972
"Mary Cable, Bringing Up Baby." American Heritage 24 (December 1972), p. 64.
Douglass 1999
Douglass, Julie M. "Lifetime Exhibition History." In Eastman Johnson: Painting America, by Teresa A. Carbone and Patricia Hills. Brooklyn, NY: Brooklyn Museum of Art, in association with Rizzoli International Publications, 1999. Exhibition catalogue, p. 266, as What the Shell Says.
Related work
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Manter, Nathan H.
Keywords
Record last updated June 30, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "What the Shell Says, c.1875 (Hills no. 26.1.12)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=398 (accessed on May 6, 2024).