Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, Project Manager and Co-Author
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Photo: Yale University Art Gallery
On the Hillside, c.1875–80 (Hills no. 26.2.5r). Overall
Overall
Photo: Patricia Hills
On the Hillside, c.1875–80 (Hills no. 26.2.5r). Detail
Detail
Photo: Patricia Hills
On the Hillside, c.1875–80 (Hills no. 26.2.5r). Detail
Detail
Photo: Patricia Hills
26.2 Nantucket Genre—Outdoors

In June 1869 Johnson married Elizabeth Buckley of Troy, New York, and the following summer he and his wife and their baby, Ethel, went to Nantucket, Massachusetts for the season. Johnson responded enthusiastically to Nantucket, which seemed to be filled with characters and activities that appealed to him, and the couple returned to the island each summer. Beside painting genre scenes of men, women, and children both indoors and outside, Johnson launched a major theme—the cranberry harvest—a time in the fall when the whole community turned out to pick the wild cranberries ripening in the bogs of Nantucket. Johnson made at least eighteen studies before crafting his major painting, The Cranberry Harvest, which was exhibited at the National Academy of Design in 1880. —PH

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Hills no. 26.2.5r
Baur no. 129
On the Hillside
c.1875–80
Oil on paper board
15 1/2 x 21 3/4 in. (39.4 x 55.2 cm)
Initialed lower right: E. J. [according to Baur 1940; not visible during Hills examination, 2018]
Verso: Girl in the Woods [verso of On the Hillside], c.1875–80 (Hills no. 21.2.6v)
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Record last updated July 16, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "On the Hillside, c.1875–80 (Hills no. 26.2.5r)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=403 (accessed on December 2, 2024).