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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Image courtesy the Metropolitan Museum of Art
The Corn Husking, c.1875–76 (Hills no. 26.3.2). Detail
Detail
Photo: Patricia Hills
The Corn Husking, c.1875–76 (Hills no. 26.3.2). Detail
Detail
Photo: Patricia Hills
The Corn Husking, c.1875–76 (Hills no. 26.3.2). Detail
Detail
Photo: Patricia Hills
The Corn Husking, c.1875–76 (Hills no. 26.3.2). Detail
Detail
Photo: Patricia Hills
26.3 Nantucket Cornhusking

In June 1869 Johnson married Elizabeth Buckley of Troy, New York, and the following summer he and his wife and their baby, Ethel, went to Nantucket, Massachusetts for the season. Johnson responded enthusiastically to Nantucket, which seemed to be filled with characters and activities that appealed to him, and the couple returned to the island each summer. Beside painting genre scenes of men, women, and children both indoors and outside, Johnson launched a major theme—the cranberry harvest—a time in the fall when the whole community turned out to pick the wild cranberries ripening in the bogs of Nantucket. Johnson made at least eighteen studies before crafting his major painting, The Cranberry Harvest, which was exhibited at the National Academy of Design in 1880. —PH

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Hills no. 26.3.2
Baur no. 54 / 1907 Sale no. 146
The Corn Husking
Metropolitan Museum of Art title: Corn Husking at Nantucket
Alternate titles: A Husking-Bee at Nantucket; Corn Husking; Cornhusking at Nantucket
c.1875–76
Oil on canvas
27 5/8 x 54 1/2 in. (70.2 x 138.4 cm)
Signed lower right: E. Johnson
Description / Remarks

MacGibeny, 2021: According to American Art News, "Eastman Johnson Sale," March 2, 1907, this painting was sold to the Metropolitan Museum of Art for $800. That was the second-highest price paid for any work in the 1907 sale of Johnson's estate. Embers and The Famous Dolly [sic] Madison each sold for $810.

1907 Estate Sale info
No. 146: "The Indian corn has been gathered and stacked in an open field adjacent to a large farmyard, and the fine autumn weather has made it possible to have the usual husking bee in the open instead of in the spacious barn, where the festival commonly takes place. Two lines of busy workers, of both sexes and all ages, are ranged along, facing each other, most of them seated, and all surrounded by the yellow corn husks. The two lines of figures diminish rapidly in perspective from the right foreground to the middle distance, and are accentuated here and there by the brilliant costumes of the girls, which, with the sunlit stacks and the mass of stalks and husks, make a passage full of rich color and strong contrasts of light and shade. Beyond the double row of huskers and the pyramidal stacks is a vista across a partly wooded level farming country, and on the right, in the middle distance, stands the great red barn overhung by lofty elms and the old-fashioned farmhouse itself. The whole scene glows with the warm color of early autumn, and the sky is covered with a thin stratus of luminous gray clouds."
"Signed at the lower right, E. Johnson.
Height, 27 ½ inches; width, 54 ½ inches."
[Annotation: “800.00 / Met”]
Provenance
Eastman Johnson estate/Mrs. Eastman Johnson, New York, 1906 (by bequest)
[The artist's estate sale, American Art Association, New York, February 26–27, 1907, no. 146 (as The Corn Husking)]
The Metropolitan Museum of Art, New York, February 27, 1907 (by purchase)
Exhibitions
1939 Metropolitan Museum of Art
The Metropolitan Museum of Art, New York, Life in America: A Special Loan Exhibition of Paintings Held during the Period of the New York World's Fair, April 24–October 29, 1939, no. 233, p. 177, as Cornhusking at Nantucket, owner The Metropolitan Museum of Art.
1972 Whitney Museum
Whitney Museum of American Art, New York, Eastman Johnson: Retrospective Exhibition, March 28–May 14, 1972. (Exhibition catalogue: Hills 1972a), no. 79, b/w illus., p. 90, as Corn Husking. Traveled to: The Detroit Institute of Arts, Detroit, June 7–July 22, 1972; Cincinnati Art Museum, Cincinnati, August 15–September 30, 1972; Milwaukee Art Center, Milwaukee, October 20–December 3, 1972.
References
King 1895
King, Edward. "The Value of Nationalism in Art." The Monthly Illustrator 4, no. 14 (June 1895), p. 267–68, illus., as A Husking-Bee at Nantucket.
Beckwith 1906
Beckwith, Carroll. "Eastman Johnson—His Life and Works." Scribner's Magazine 40, no. 2 (August 1906), p. 254 [possibly, as Corn Husking].
Walton 1906
Walton, William. "Eastman Johnson, Painter." Scribner's Magazine 40 (September 1906), p. 274, illus., as Corn Husking.
AAA 1907b
Catalogue of Finished Pictures, Studies, and Drawings by the Late Eastman Johnson, N.A. New York: American Art Association, February 1907. Sale catalogue, n.p., no. 146, as The Corn Husking.
American Art News 1907b
"Eastman Johnson Sale." American Art News 5, no. 20 (March 2, 1907), p. 3, as The Corn Husking.
Metropolitan Museum of Art 1931
Catalogue of Paintings. New York: Metropolitan Museum of Art, 1931, p. 191.
Baur 1940
Baur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn Museum), p. 62, no. 54, as Corn Husking at Nantucket.
Crosby 1944
Crosby, Everett U. Eastman Johnson at Nantucket: His Paintings and Sketches of Nantucket People and Scenes. Nantucket, MA, 1944, p. 12, 22, C.2, as Corn Husking at Nantucket.
Hills 1972a
Hills, Patricia. Eastman Johnson: Retrospective Exhibition. New York: Clarkson N. Potter, 1972. Exhibition catalogue (1972 Whitney Museum), p. 90, illus. (mistakenly titled as Art Institute of Chicago version, as Cornhusking Bee).
Hills Examination / Opinion
Examination date(s): 1970-08; 2016-11-03
Examination notes: 1970-08: Seems more monochromatic than painting in Chicago. Chickens are sketchy.
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Record last updated March 22, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Corn Husking, c.1875–76 (Hills no. 26.3.2)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=411 (accessed on April 25, 2024).