Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, Project Manager and Co-Author
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Photo: Courtesy of New York State Museum, Albany, New York
Amos Richards Eno, 1899 (Hills no. 31.1.70). Detail
Detail
Photo: Patricia Hills
Amos Richards Eno, 1899 (Hills no. 31.1.70). Inscription
Inscription
Photo: Patricia Hills
31.1 U.S. Portraits, Men

When Johnson returned to the United States, he not only painted genre paintings but he also continued to paint portraits, which gave him a steady income. After 1880 Johnson turned to portraiture almost exclusively. During the 1880s and 1890s he painted businessmen, lawyers, university presidents, and three U.S. presidents from life. At times he also painted their wives and children.

He was also commissioned to paint posthumous portraits, often from photographs. These portraits by and large do not have the sparkle and active brushwork of those done from life. It seems that the demand for portraits of business and civic leaders (and members of exclusive men’s clubs) was so high that portrait painters would often make copies of each other’s paintings to satisfy the market for such images. In many instances, it has been difficult to render opinions for such paintings. —PH

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Hills no. 31.1.70
Baur no. 182
Amos Richards Eno
Alternate titles: Amos Eno; Amos R. Eno
1899
Oil on canvas
52 x 35 in. (132.1 x 88.9 cm)
Signed and dated lower left: E. Johnson/1899 [As in other Johnson paintings of the 1880s and 1890s, the date has a flat top, and in this case, bottom]
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Record last updated September 30, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Amos Richards Eno, 1899 (Hills no. 31.1.70)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=549 (accessed on December 2, 2024).