Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager
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Catalogue Entry

Photo: National Portrait Gallery, Smithsonian Institution
Parke Godwin, c.1880 (Hills no. 31.1.88). Photograph of Johnson working on portrait of Parke Godwin
Photograph of Johnson working on portrait of Parke Godwin
Photo: Reproduction in Edgar French, "An American Portrait Painter of Three Historical Epochs," World's Work, Dec. 1906
31.1 U.S. Portraits, Men

When Johnson returned to the United States, he not only painted genre paintings but he also continued to paint portraits, which gave him a steady income. After 1880 Johnson turned to portraiture almost exclusively. During the 1880s and 1890s he painted businessmen, lawyers, university presidents, and three U.S. presidents from life. At times he also painted their wives and children.

He was also commissioned to paint posthumous portraits, often from photographs. These portraits by and large do not have the sparkle and active brushwork of those done from life. It seems that the demand for portraits of business and civic leaders (and members of exclusive men’s clubs) was so high that portrait painters would often make copies of each other’s paintings to satisfy the market for such images. In many instances, it has been difficult to render opinions for such paintings. —PH

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Hills no. 31.1.88
Baur no. 191
Parke Godwin
Alternate titles: A Recollection (Parke Godwin); Portrait of Park Godwin [sic]; Portrait of Parke Godwin; Portrait of Parke Godwin, Esq.
Oil on canvas
40 x 33 in. (101.6 x 83.8 cm)
Signed lower left: E. Johnson
Record last updated March 24, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Parke Godwin, c.1880 (Hills no. 31.1.88)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=560 (accessed on February 22, 2024).