When Johnson returned to the United States, he not only painted genre paintings but he also continued to paint portraits, which gave him a steady income. After 1880 Johnson turned to portraiture almost exclusively. During the 1880s and 1890s he painted businessmen, lawyers, university presidents, and three U.S. presidents from life. At times he also painted their wives and children.
He was also commissioned to paint posthumous portraits, often from photographs. These portraits by and large do not have the sparkle and active brushwork of those done from life. It seems that the demand for portraits of business and civic leaders (and members of exclusive men’s clubs) was so high that portrait painters would often make copies of each other’s paintings to satisfy the market for such images. In many instances, it has been difficult to render opinions for such paintings. —PH
Frick Art Reference Library Photoarchive files, Eastman Johnson, "Daniel Manning," b13278708, accessed April 4, 2021: "Gray eyes, brownish hair, red brown moustache. Black suit and tie, white color and cuffs. Seated in dark brown wooden armchair, upholstered in dull salmon pink, with a design in dark green and light gray, and studded with brass nails. Dark brown background."
Daniel Manning (1831–1887). Appointed U.S. Secretary of the Treasury, 1885–1887, by President Grover Cleveland; president of the National Commercial Bank, Albany, New York, 1882–1885.
White, Terry James. The National Cyclopaedia of American Biography. Ann Arbor, MI: University Microfilms, 1967–.
- Portrait pose
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