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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Chicago History Museum, ICHi-176427
George Mortimer Pullman, 1894 (Hills no. 31.1.178). Johnson's portraits of George Mortimer Pullman, Florence Pullman Lowden, and Harriet Sanger Pullman Carolan hanging in the Pullman mansion, 1729 Prairie Avenue, Chicago
Johnson's portraits of George Mortimer Pullman, Florence Pullman Lowden, and Harriet Sanger Pullman Carolan hanging in the Pullman mansion, 1729 Prairie Avenue, Chicago
Photo: Courtesy of Warren Pullman Miller
George Mortimer Pullman, 1894 (Hills no. 31.1.178). Cabinet card of the McGibeny Family's Pullman Palace Car, c. 1880s (front)
Cabinet card of the McGibeny Family's Pullman Palace Car, c. 1880s (front)
George Mortimer Pullman, 1894 (Hills no. 31.1.178). Cabinet card of the McGibeny Family's Pullman Palace Car, c. 1880s (back)
Cabinet card of the McGibeny Family's Pullman Palace Car, c. 1880s (back)
31.1 U.S. Portraits, Men

When Johnson returned to the United States, he not only painted genre paintings but he also continued to paint portraits, which gave him a steady income. After 1880 Johnson turned to portraiture almost exclusively. During the 1880s and 1890s he painted businessmen, lawyers, university presidents, and three U.S. presidents from life. At times he also painted their wives and children.

He was also commissioned to paint posthumous portraits, often from photographs. These portraits by and large do not have the sparkle and active brushwork of those done from life. It seems that the demand for portraits of business and civic leaders (and members of exclusive men’s clubs) was so high that portrait painters would often make copies of each other’s paintings to satisfy the market for such images. In many instances, it has been difficult to render opinions for such paintings. —PH

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Hills no. 31.1.178
Baur no. 247
George Mortimer Pullman
Chicago History Museum title: Portrait of George Mortimer Pullman
Alternate titles: George M. Pullman; Portrait of George Mortimer Pullman (1831–1897)
1894
Oil on canvas
59 1/2 x 38 3/4 in. (151.1 x 98.4 cm)
Neither signed nor dated
Description / Remarks

Jeannine Falino, curator and museum consultant, email communication, May 14, 2022: "With the introduction of his modestly-priced, yet handsomely-fitted Palace Car in 1865, George Pullman popularized train travel among the middle class. Pullman’s cars included plush upholstery, full-course meals, and even stained-glass, in contrast to the hard and uncomfortable accommodations then available. Pullman was worth 62 million dollars in 1893. For his army of workers, Pullman built a utopian company town in Illinois that bore his name, but his authority was never in question. When workers went on strike in 1894, he did not negotiate."

MacGibeny, 2022: This portrait is shown in the linked photograph of the Pullman mansion, where it hung with Johnson's portraits of the sitter's daughters Florence Pullman Lowden and Harriett Sanger Pullman Carolan (later Schermerhorn).

Also linked is a cabinet card featuring the custom Pullman Palace Car in which the McGibeny Family, billed as the "largest musical family known," traveled America in the 1880s. The back of the card describes some of the "thousand and one conveniences" of this "largest as well as the finest and best equipped palace car in the country," such as its running water, electric lamps, clever storage, and drawing room with piano.

Chicago Historical Society information sheet, undated: "Three-quarter length, standing. Left hand holding glasses, right hand behind back. In the right background is a green upholstered chair. He is facing slightly right. He is wearing a black coat, white shirt, and gray tie."

Labels
Date on frame: 1894
Provenance
George Mortimer and Harriet Amelia Sanger Pullman, Chicago, 1894 (by commission)
Florence Sanger Pullman (Mrs. Frank Orren) Lowden, their daughter
Chicago History Museum, October 1, 1917
Exhibitions
2018 Richard H. Driehaus Museum
The Richard H. Driehaus Museum, Chicago, Gilded Chicago: Portraits of an Era, September 8, 2018–January 6, 2019.
References
Kennedy Galleries 1920
Catalogue of an Exhibition of Charcoal Drawings by Eastman Johnson. New York: Kennedy Galleries, 1920. Exhibition catalogue (1920 Kennedy Galleries), p. 12, addendum “Paintings by Eastman Johnson" [possibly, as George M. Pullman].
Baur 1940
Baur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn Museum), p. 71, no. 247, as George M. Pullman.
Leyendecker 1992
Leyendecker, Liston E. Palace Car Prince: A Biography of George Mortimer Pullman. Louisville, CO: University Press of Colorado, 1992, pp. 224–225, p. 299 n. 44.
Sitter Biography
Sitter: Pullman, George Mortimer
Biography:

George Mortimer Pullman (1831–1897). “Builder of the first railroad sleeping car, the Pullman Palace Car and founder of the Pullman Car Company which revolutionized long distance rail travel” [Chicago Historical Society]. Married Harriet Sanger (m. 1866).

White, Terry James. The National Cyclopaedia of American Biography. Ann Arbor, MI: University Microfilms, 1967–.

Related work
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Pullman, George Mortimer
Keywords
Record last updated June 1, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "George Mortimer Pullman, 1894 (Hills no. 31.1.178)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=624 (accessed on May 5, 2024).