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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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31.1 U.S. Portraits, Men

When Johnson returned to the United States, he not only painted genre paintings but he also continued to paint portraits, which gave him a steady income. After 1880 Johnson turned to portraiture almost exclusively. During the 1880s and 1890s he painted businessmen, lawyers, university presidents, and three U.S. presidents from life. At times he also painted their wives and children.

He was also commissioned to paint posthumous portraits, often from photographs. These portraits by and large do not have the sparkle and active brushwork of those done from life. It seems that the demand for portraits of business and civic leaders (and members of exclusive men’s clubs) was so high that portrait painters would often make copies of each other’s paintings to satisfy the market for such images. In many instances, it has been difficult to render opinions for such paintings. —PH

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Hills no. 31.1.186
Archibald Rogers
Alternate titles: likely Portrait; Full-Length Life-Size Portrait; Life size Portrait; Portrait of Colonel Archibald Rogers of Hyde Park, NY
c.1892
Oil on canvas
[dimensions unknown]
Description / Remarks

MacGibeny, 2021: The Hubbard Museum of the American West owns a full-length portrait of Archibald Rogers that is signed and dated "E. Johnson/1892." The image is not included here pending further research and examination by Dr. Hills.

Provenance
Archibald Rogers, 1892 until at least 1895
Present whereabouts unknown
Exhibitions
1892a NAD
National Academy of Design, New York, Annual Exhibition, April 4–May 14, 1892, no. 264, as Full-Length Life-Size Portrait, owner Mr. Archibald Rogers.
1893 Columbian Exposition
World's Columbian Exposition, Chicago, May 1–October 31, 1893. (World's Columbian Exposition 1893), no. 921, as Life size Portrait, lent by Archibald Rogers, Hyde Park, New York.
1895 NAD
National Academy of Design, New York, Loan Exhibition of Portraits for the Benefit of St. John's Guild and the Orthopaedic Hospital, October 13–December 7, 1895. (NAD 1895), no. 178, [possibly, as Portrait], owner Archibald Rogers, Esq.
References
New York Times 1892
"Varnishing Day at the Academy." New York Times, April 1, 1892, p. 5: "Among the portraits a seated gentleman by Eastman Johnson attracts attention in the South Gallery for its measured, sober, and solid workmanship. It is a life-size likeness of Mr. Archibald Rogers."
NAD 1892a
Annual Exhibition. New York: National Academy of Design, 1892. Exhibition catalogue, no. 264, as Full-Length Life-Size Portrait.
World's Columbian Exposition 1893
World's Columbian Exposition. Revised Catalogue, Department of Fine Arts. Chicago: W. B. Gonkey Company, 1893. Exhibition catalogue (1893 Columbian Exposition), p. 64, no. 921, as Life size Portrait.
Kennedy Galleries 1920
Catalogue of an Exhibition of Charcoal Drawings by Eastman Johnson. New York: Kennedy Galleries, 1920. Exhibition catalogue (1920 Kennedy Galleries), p. 12, addendum “Paintings by Eastman Johnson" [possibly, as Archibald Rogers].
Sitter Biography
Sitter: Rogers, Archibald
Biography:

Archibald Rogers (1852–1928). Also known as Colonel Archibald Rogers. Sportsman and clubsman who built several railroads, with an earlier career as an engineer. Devotee of yachting and big game hunting [New York Times obituary]. Grandfather of Anne Stradling, donor of the Anne Stradling Collection to the Hubbard Museum of the American West, which owns Johnson's full-length portrait of Rogers. 

Rogers, Archibald
Keywords
Record last updated March 22, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Archibald Rogers, c.1892 (Hills no. 31.1.186)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=628 (accessed on May 2, 2024).