
Catalogue Entry

Johnson’s paintings of women are often his best portraits, exhibiting a range of techniques and emphasizing their intelligent faces even when enwrapped in sumptuous fabrics, such as we see in Edwina Booth. —PH
Hills, 2021: Unusual in that it is painted in oils, which Johnson didn’t do until he went to Germany in 1849. There is the possibility that he signed it 1848 (but actually painted it in the late 1850s) to indicate that is how she looked in 1848. He likely copied his c. 1847–1849 drawing of her in a similar composition. See the linked image of the drawing.
Baur 1940, p. 52: "Painted the year before he sailed to study in Europe, this is the earliest located oil by Johnson. The subject was his Maternal grandmother, Judith Farnum (1764–1851), who married Jeremiah Chandler in 1792. Their daughter was Mary Kimball Chandler, Johnson's mother."
Property of/M. E. Edmonds/320 East 72nd St. [crossed out]/New York, N.Y.
Jan. 12, 1956/Estimate for restoration/by Alfred Jakstras/391 School Street Belmont
Philippa Steel
Judith Farnum Chandler/b. 1764. m. 1792. d. 1851/Property of/W. R. May.
Judith Farnum/born June 13. 1764/died Feb. 21. 1851/married Jeremiah Chandler 1792/(1763-1828)/mother of/John Carter Chandler/1794-/May [Mary?] Kimball Chandler/1796-1855/married Philip C. Johnson/Jan 29 1816/Judith Farnum was/daughter of/Ephraim Farnum born Sept. 1733/+ Judith Hall. born " " 1735/who were married in 1758
JEAN BOHNE INC../PICTURES AND FRAMES/47 WEST 46TH ST., NEW YORK/[handwritten] EDMONDS
CHRISTIE'S/5112/5112/1572 7510/[handwritten] AT237/1572 7510
Hills believes that Johnson made this painting not in 1848, but after he returned from Europe in 1855. Probably done from the early drawing.
Judith Farnum Chandler (1764–1851). Johnson’s maternal grandmother; mother of Mary Kimball Chandler.
- Portrait pose
: - Portrait sitter families
: - Subject matter
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