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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Courtesy of Hirschl & Adler Galleries, Inc.
Cosette, c.1862 (Hills no. 27.0.6r). Detail
Detail
Photo: DuMouchelles Art Galleries, Detroit, MI
Cosette, c.1862 (Hills no. 27.0.6r). Frame
Frame
Photo: DuMouchelles Art Galleries, Detroit, MI
Cosette, c.1862 (Hills no. 27.0.6r). Inscription
Inscription
Photo: DuMouchelles Art Galleries, Detroit, MI
Cosette, c.1862 (Hills no. 27.0.6r). Verso
Verso
Photo: DuMouchelles Art Galleries, Detroit, MI
27.0 Literary/Historical

In addition to his scenes of everyday life and portraits of people, Johnson created images of historical events and figures from works of literature, drama, and music. For example, “Carry Me, and I’ll Drum You Through” was inspired by an incident from the Battle of Antietam, 1862, and Membership Vote at the Union League Club, May 11, 1876, recorded a contentious meeting in which he participated much later. His Marguerite, Cosette, and Minnehaha are personifications of fictional heroines from novels and poetry. His Boy Lincoln represents both the future United States president and the archetypical American youth who, with determination and hard work, could succeed. Johnson rendered several of these imaginative images as both paintings and drawings. These literary and historical works evince both his personal interest in those subjects and his awareness of their popularity with the broad public. —AM

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Hills no. 27.0.6r
Cosette
Alternate titles: Coselte [sic]; Portrait of an Unidentified Woman; Woman Wearing a Hood
c.1862
Oil on board
9 7/8 x 7 7/8 in. (25.1 x 20 cm)
Initialed lower left in red: E. J.
Verso: Girl Leaning Down [verso of Cosette], c.1862 (Hills no. 39.1.8v)
Description / Remarks

Hills opinion letter, 2008: "The painting is a study of a very serious-looking woman wearing a hood that blends in with her hair."

Henry T. Tuckerman, Book of the Artists: American Artist Life, 1867, p. 469 (likely in reference to the fully signed version, Cosette, present whereabouts unknown): "Among other recent works of this effective and assiduous painter, are 'Cosette,' from Victor Hugo's 'Misérables'…"

Markings
Initialed verso, right center, in bold letters [possibly by Johnson]: E. J. [with sketch of girl leaning down]
Labels
Handwritten label on verso, upper right, likely in Johnson's hand: "Cosette"/Eastman Johnson [label appears to have been affixed over handwriting, which continues in script "N.Y." to the right of the label]
Provenance
Likely Edward W. Hooper, by 1866
Mrs. Edward N. Townsend, by 1961
Williams College Museum of Art, Williamstown, Massachusetts, 1961–1972 (by gift; accession number 61.6; credit line; Gift of Mrs. Edward N. Townsend)
Hirschl & Adler Galleries, New York, 1972–1975
[Sotheby's, December 12, 1975, American 18th, 19th & 20th Century Paintings, Drawings, Watercolors & Sculpture, lot 36 (as Woman Wearing a Hood)]
Private collection, Ohio
Sotheby's, October 10, 2007, lot 111 (as Woman Wearing a Hood); did not sell
[DuMouchelles Art Galleries, Detroit, November 18, 2018, lot 112002 (as Coselte [sic])]
Present whereabouts unknown
Exhibitions
1866 Allston Club
Allston Club, Boston, First Exhibition, 1866. (Exhibition catalogue: Allston Club 1866), no. 24, [likely, as Cosette], owner E. W. Hooper.
1962 Williams College Museum
Williams College Museum of Art, Williamstown, Massachusetts, New Acquisitions 1961, January 9–26, 1962.
1963 Berkshire Arts Center
Berkshire Arts Center, North Adams, Massachusetts, Romantic Art in America, May 1–June 7, 1963.
References
Allston Club 1866
First Exhibition. Boston: Printed by A. Mudge, 1866. Exhibition catalogue (1866 Allston Club), no. 24 [likely, as Cosette], owner E. W. Hooper.
Hills Examination / Opinion
Examination date(s): 2007-08-30
Examination notes: Sketch on back of girl leaning down. Board is puckered. Graphite lines in nostrils, along outside on right side. Lips tentative, but still graphite. Very smooth surface—enamel-like. Red ribbon—nice touch. Loose brushwork at nape of neck where scarf would tie. Nicely shadowed eyes. Severe expression. Initials may have been added later.
Hills opinion letter: September 8, 2007 view »
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Keywords
Record last updated March 26, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Cosette, c.1862 (Hills no. 27.0.6r)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=770 (accessed on April 24, 2024).