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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

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Photo: Lauren Palmor
Cosette Study, c.1862–67 (Hills no. 27.0.7). Frame
Frame
Photo: Lauren Palmor
Cosette Study, c.1862–67 (Hills no. 27.0.7). Detail
Detail
Photo: Lauren Palmor
Cosette Study, c.1862–67 (Hills no. 27.0.7). Verso inscription
Verso inscription
Photo: Lauren Palmor
Cosette Study, c.1862–67 (Hills no. 27.0.7). Verso label
Verso label
Photo: Lauren Palmor
27.0 Literary/Historical

In addition to his scenes of everyday life and portraits of people, Johnson created images of historical events and figures from works of literature, drama, and music. For example, “Carry Me, and I’ll Drum You Through” was inspired by an incident from the Battle of Antietam, 1862, and Membership Vote at the Union League Club, May 11, 1876, recorded a contentious meeting in which he participated much later. His Marguerite, Cosette, and Minnehaha are personifications of fictional heroines from novels and poetry. His Boy Lincoln represents both the future United States president and the archetypical American youth who, with determination and hard work, could succeed. Johnson rendered several of these imaginative images as both paintings and drawings. These literary and historical works evince both his personal interest in those subjects and his awareness of their popularity with the broad public. —AM

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Hills no. 27.0.7
Cosette Study
Alternate titles: Portrait of a Girl; Portrait of a Woman (Cosette Study); Woman's Portrait
c.1862–67
Oil on board
11 x 9 in. (27.9 x 22.9 cm)
Initialed lower right in heavy black: E.J.
Private collection, San Francisco
Description / Remarks

Hills, 1985: Young woman facing left.

Henry T. Tuckerman, Book of the Artists: American Artist Life, 1867, p. 469 (likely in reference to the fully signed version, Cosette, present whereabouts unknown): "Among other recent works of this effective and assiduous painter, are 'Cosette,' from Victor Hugo's 'Misérables'…"

Markings
Inscribed verso, upper right, in Johnson's hand: Cosette study/EJ
Provenance
Gerald P. Peters Gallery, Santa Fe, New Mexico
[Osher, Butterfield and Butterfield, San Francisco, by 1985]
Private collection, San Francisco
Hills Examination / Opinion
Examination date(s): 1985-02
Examination notes: Same face as Cosette. Light brown background painted on and wiped off. Sienna rubbed into reddish ochre. Pencil or graphite along profile: along edge of folds. Soft focus on face. Underpainting filling in nostril and upper eyelid—beneath brows. Peach colors on face—coral lips. Dark sienna hair.
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Keywords
Record last updated March 26, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Cosette Study, c.1862–67 (Hills no. 27.0.7)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=773 (accessed on April 28, 2024).