Catalogue Entry
Johnson’s paintings of women are often his best portraits, exhibiting a range of techniques and emphasizing their intelligent faces even when enwrapped in sumptuous fabrics, such as we see in Edwina Booth. —PH
“Monthly Record of American Art,” The Magazine of Art, 1893, p. xxii: “The best portrait in this gallery is Eastman Johnson's nearly full-length standing likeness of Miss Carolan of San Francisco, a lady in black gown cut square in the neck, with dark hair and a very determined expression. She looks like the woman to succeed in a social scramble and prove the man in matrimony. She carries a sheaf of red flowers in her right hand and props her left against her waist. Mr. Eastman Johnson has a portrait with richer color in the North Gallery but not so individual a look. This is a likeness of Mr. Orson D. Munn, also a nearly full-length life-size standing figure. It is painted with a richer brush, but in both the hands are not wrought with the ease one might expect.”
Harriett Sanger Pullman Carolan Schermerhorn (1869–1956). Daughter of George M. Pullman. Married Francis Carolan (d. 1923) of San Francisco (m. 1892), and then married Colonel Arthur Schermerhorn (m. 1925). “...[A]unt of Mrs. C. Philip Miller” [Chicago Historical Society].
Obituary. "Mrs. Schermerhorn of Pullman Family." New York Times, October 23, 1956.
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