Catalogue Entry
Johnson finished his formal schooling at fifteen and worked in a dry goods store where he began making drawings. Responding to his talent, his father sent him to work in a lithography shop in Boston, probably Bufford’s. Several figure and landscape sketches survive from the early 1840s which indicate the ways he was exploring the human figure and the landscape about him using graphite pencil. More importantly, he began to excel as a portrait draughtsman in these early years; see Themes 43.1–.9, U.S. Early Portrait Drawings.
Johnson's reason for his sojourn in Düsseldorf and The Hague, 1849–1855, was to learn to paint with oil (see Themes 1.0–5.0). To achieve that goal, he studied anatomy while still making graphite sketches of interiors, landscapes, and figures from life. Among his best composed sketches were those done on trips to the Dutch countryside, especially those done at Dongen, the Netherlands. —PH
MacGibeny, 2022: This drawing is one of nine that appear to have come from the same sketchbook. Four of five depicting Dongen are dated July 12–21, 1853. Dongen would have been a picturesque area for a sketching trip for Johnson, who lived a little more than 40 miles (65 kilometers) away in The Hague.
Baur 1940, p. 32, note for Sketching at Dongen: "The present owner [Johnson's granddaughter Baroness Muriel van Reigersberg Versluys] writes that this is a self portrait of Johnson surrounded by Dutch children. He evidently made a sketching tour through the province of North Brabant, which lies on the Dutch side of the Belgian border, in the summer of 1853. Dongen, where this and no. 423 [House at Dongen, this drawing], below, were done, is a small town just north of Breda."
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