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Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, MA, Project Manager

Catalogue Entry

40.0 Literary/Historical Drawings

In addition to his scenes of everyday life and portraits of people, Johnson created images of historical events and figures from works of literature, drama, and music. For example, “Carry Me, and I’ll Drum You Through” was inspired by an incident from the Battle of Antietam, 1862, and Membership Vote at the Union League Club, May 11, 1876, recorded a contentious meeting in which he participated much later. His Marguerite, Cosette, and Minnehaha are personifications of fictional heroines from novels and poetry. His Boy Lincoln represents both the future United States president and the archetypical American youth who, with determination and hard work, could succeed. Johnson rendered several of these imaginative images as both paintings and drawings. These literary and historical works evince both his personal interest in those subjects and his awareness of their popularity with the broad public. —AM

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Hills no. 40.0.16
Baur no. 424
The Master's Daughter
Alternate title: In the Doorway
c.1879
Charcoal heightened with white chalk on canvas
16 1/2 x 12 in. (41.9 x 30.5 cm)
Signed lower right: E. Johnson
Description / Remarks

MacGibeny, 2022: This original drawing by Johnson was engraved by J. P. Davis for reproduction as an illustration for Henry Wadsworth Longfellow's poem "The Seaside and the Fireside" in Houghton Mifflin's editions of The Complete Poetical Works of Henry Wadsworth Longfellow. In the first edition, 1879, in the section of the poem titled "By the Seaside: The Building of the Ship," it was captioned "Standing before/Her father's door,/He saw the form of his promised bride." Throughout the poem, in which an old man designs a ship and promises his daughter's hand to a young man to build it, the old man is referred to as "the Master."

Baur 1940 lists the medium of the drawing as "charcoal heightened with white chalk on canvas." It seems possible that instead it was drawn on paper laid down on canvas, which would result in the smoother finish shown in the photograph.

Johnson made many works related to poems, and drew portraits of Longfellow, his family, and his circle of intellectual friends as important commissions in the late 1840s before going to Europe in 1849 to learn to paint.

Provenance
Houghton, Mifflin & Co., Boston, by 1880 (possibly lent by the artist)
Possibly Eastman Johnson estate/Mrs. Eastman Johnson, New York, 1906 (by bequest)
Albert Rosenthal, New Hope, Pennsylvania, until 1939 (likely by purchase from Mrs. Johnson in 1915)
Estate of Albert Rosenthal, with Albert Duveen, New York, by 1940
Present whereabouts unknown
Exhibitions
1880 Cincinnati Industrial Exposition
Cincinnati Industrial Exposition, Cincinnati, Eighth Cincinnati Industrial Exposition, 1880. (Exhibition catalogue: Cincinnati Industrial Exposition 1880), no. 882, as The Master's Daughter.
1939 Brooklyn Museum
Brooklyn Museum of Art, Brooklyn, New York, An American Genre Painter: Eastman Johnson, 1824–1906, January 18, 1939–February 26, 1940. (Exhibition catalogue: Baur 1940), no. 424, as In the Doorway.
References
Longfellow 1879
Longfellow, Henry Wadsworth. "The Seaside and the Fireside" in The Poetical Works of Henry Wadsworth Longfellow. Vol. 1. Boston: Houghton, Osgood & Co., 1879, pp. x, opp. p. 192, illus. Reproduction from woodcut, captioned "'Standing before/Her father's door,/He saw the form of his promised bride.'/The Building of the Ship".
Cincinnati Industrial Exposition 1880
Cincinnati Industrial Exposition. Catalogue of the Art Department of the Eighth Cincinnati Industrial Exposition. Cincinnati, OH: Press of Robert Clarke & Co., 1880. Exhibition catalogue (1880 Cincinnati Industrial Exposition), p. 79, no. 882, as The Master's Daughter, Titled The Master's Daughter; captioned: "Longfellow's 'Building of the Ship.'/'Standing before/Her father's door,/He saw the form of his promised bride.'/Houghton, Mifflin & Co."
Longfellow 1881
Longfellow, Henry Wadsworth. "The Seaside and the Fireside" in The Poetical Works of Henry Wadsworth Longfellow. Boston: Houghton, Mifflin and Company, 1881, pp. x, 192, illus. Reproduction from engraving.
Longfellow 1902
Longfellow, Henry Wadsworth. "The Seaside and the Fireside" in The Complete Poetical Works of Henry Wadsworth Longfellow, Household Edition. Boston and New York: Houghton, Mifflin and Company, 1902, pp. xvi, 123, illus. Reproduction from engraving.
Baur 1940
Baur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn Museum), pp. 35, 80, no. 424, as In the Doorway.
enlarge
Photo: Reproduced in The Complete Poetical Works of Henry Wadsworth Longfellow, 1879
The Master's Daughter [woodcut by J. P. Davis]
c.1879
Woodcut
[dimensions unknown]
Inscribed in block, lower right: E. Johnson/1879
Present whereabouts unknown

See all Prints after Works by Johnson.

Record last updated April 1, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "The Master's Daughter, c.1879 (Hills no. 40.0.16)." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=883 (accessed on April 18, 2024).