Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, Project Manager and Co-Author
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Photo: Smith College Museum of Art, Northampton, Massachusetts
Judith Farnum Chandler, 1847, September (Hills no. 43.3.1). Verso with inscription
Verso with inscription
Photo: Smith College Museum of Art, Northampton, Massachusetts
43.3 U.S. Early Portrait Drawings, Women

Johnson's earliest recorded portrait drawings of women are dated 1845: his portrait of Dolley Madison that indicates the setting and one of his older sister Judith which shows head and neck only. Unlike the portraits of men, his portraits of women are softer in light-dark chiaroscuro and do not exhibit the muscular structure of the face as do those of men. Johnson consolidated his draughtsman’s talents during his sojourn in Boston, where he painted Henry Wadsworth Longfellow and his circle. He took about three days to complete a charcoal portrait. The style of the time was to present portraits in oval frames. 

See Technical Information on Johnson's Practices for a discussion of charcoal, black chalk, crayon, and pastel. —PH

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Hills no. 43.3.1
Baur no. 303
Judith Farnum Chandler
Smith College Museum of Art title: Portrait of Mrs. Jeremiah Chandler
Alternate titles: likely Grandmother in Retrospection; Mrs. Jeremiah Chandler
1847, September
Graphite with white highlights on brown paper
8 x 6 in. (20.3 x 15.2 cm)
Signed and dated lower left, in pencil: E. Johnson./Sept. 1847-
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Record last updated March 24, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Judith Farnum Chandler, 1847, September (Hills no. 43.3.1)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=920 (accessed on October 12, 2024).