Johnson's earliest recorded portrait drawings of women are dated 1845: his portrait of Dolley Madison that indicates the setting and one of his older sister Judith which shows head and neck only. Unlike the portraits of men, his portraits of women are softer in light-dark chiaroscuro and do not exhibit the muscular structure of the face as do those of men. Johnson consolidated his draughtsman’s talents during his sojourn in Boston, where he painted Henry Wadsworth Longfellow and his circle. He took about three days to complete a charcoal portrait. The style of the time was to present portraits in oval frames.
See Technical Information on Johnson's Practices for a discussion of charcoal, black chalk, crayon, and pastel. —PH
Five Colleges and Historic Deerfield Museum Consortium Collections Database, accessed January 31, 2022: "Old woman in long dark dress with white bonnet seated in a rocking chair near a window near a bed."
Judith Farnum Chandler (1764–1851). Johnson’s maternal grandmother; mother of Mary Kimball Chandler.
- Portrait pose:
- Portrait sitter families: