Johnson's earliest recorded portrait drawings of women are dated 1845: his portrait of Dolley Madison that indicates the setting and one of his older sister Judith which shows head and neck only. Unlike the portraits of men, his portraits of women are softer in light-dark chiaroscuro and do not exhibit the muscular structure of the face as do those of men. Johnson consolidated his draughtsman’s talents during his sojourn in Boston, where he painted Henry Wadsworth Longfellow and his circle. He took about three days to complete a charcoal portrait. The style of the time was to present portraits in oval frames.
See Technical Information on Johnson's Practices for a discussion of charcoal, black chalk, crayon, and pastel. —PH
Hills, 2022: Although John I. H. Baur owned and annotated a copy of the catalogue of Johnson's 1907 Estate Sale, he did not include this work in his own 1940 catalogue listing; he must have obtained it after publication.
MacGibeny, 2022: American Art News, "Eastman Johnson Sale," March 2, 1907, reported that this portrait (then titled The Famous Dolly [sic] Madison) was one of two works commanding the highest price ($810) at the 1907 sale of Johnson's estate. The other was the painting Embers.
"Signature at lower left, E. Johnson, March, 1846.
Height, 22 ¼ inches; width, 16 inches."
[Annotation: “810.00 / O. Burnet – agent for John Mack (d.) Albany / Reprod. Putnam’s Monthly”]
Dorothea Dandridge Payne Todd Madison (1768–1849). Wife of James Madison, fourth president of the United States, 1809–1817 [Note that contrary to the published birth year in the National Cyclopaedia of Biography, her actual birth year was 1768, according to the National Archives].
White, Terry James. The National Cyclopaedia of American Biography. Ann Arbor, MI: University Microfilms, 1967–.
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