Catalogue Entry
In 1857 Johnson drew the “Five Sisters”—women who were friends or relatives of each other. Beginning in the 1860s Johnson began to make “conversation groups” in oil, as had been the fashion in England in the 1700s. These scenes were of families relaxed in interiors and engaged in talking with each other, such as the Hatches, Browns, Blatchfords, and Burdens. In a few instances Johnson did charcoal drawings of the whole scene or individual members, but it is not clear if such drawings were done before or after their oil counterparts. —PH
MacGibeny, 2022: The dimensions and composition of this drawing are virtually the same as those of the finished painting Mrs. Cross and Child. It seems possible that Johnson transferred the drawing to the canvas as part of his working process, as described in Sheldon Keck, “A Use of Infra-Red Photography in the Study of Technique,” Technical Studies in the Field of the Fine Arts, 1941.
Mrs. Cross (life dates unknown). Possibly mother of Eliza Cross Pinchot (1816–1886), who was mother of collector James Wallace Pinchot and who owned two Johnson portraits whose subject is identified only as “Mrs. Cross.”
- Portrait pose: