Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, Project Manager and Co-Author
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Photo: © President and Fellows of Harvard College
Dorothea Lynde Dix, c.1870–81 (Hills no. 45.3.4). Verso
Verso
Photo: © President and Fellows of Harvard College
45.3 U.S. Later Portrait Drawings, Women

When Johnson returned from Europe late in 1855 and moved in with his family in Washington, D.C., he began receiving portrait commissions. On his trip to Superior, Michigan, in 1856 and 1857, he did charcoal portrait drawings of family and friends. Like the commissioned drawings done earlier, Johnson generally used charcoal (named in some records as black chalk) with touches of white, but the strong chiaroscuro is less evident for his women sitters. Many of these portraits are in pastel, which creates a softer visage. In his later professional years as a painter of oil portraits there are few portraits of women. His art commanded high prices; perhaps families were then reluctant to include their women members as portrait sitters. —PH

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Hills no. 45.3.4
Baur no. 306
Dorothea Lynde Dix
Harvard Art Museums title: Portrait Study of Mrs. Dix
Alternate titles: Dorothea Dix; Mrs. Dix; Portrait of Mrs. Dix
c.1870–81
Graphite on gray wove paper
4 3/4 x 4 in. (12.1 x 10.2 cm) (irreg.)
Inscribed lower center in graphite, in Johnson's hand: Mrs. Dix; lower right in graphite: 10"; inscribed on verso in graphite: E. Johnson / [R-- (likely Rosenthal) Col.?]; 25 [in circle]
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Record last updated March 28, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Dorothea Lynde Dix, c.1870–81 (Hills no. 45.3.4)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=942 (accessed on October 12, 2024).