Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, Project Manager and Co-Author
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Photo: Free Library of Philadelphia, Print and Picture Collection
45.1 U.S. Later Portrait Drawings, Men

When Johnson returned from Europe late in 1855 and moved in with his family in Washington, D.C., he began receiving portrait commissions. Like those done earlier, Johnson generally used charcoal (named in some records as black chalk) with touches of white and created a strong chiaroscuro for his sitters. Gradually he moved away from the strong chiaroscuro style he had been using, and his later portraits tend to be sketchier (as was the taste in art at the time) but no less professional. He used pastel to bring in color in some of these portraits. —PH

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Hills no. 45.1.9
Baur no. 304
Zenas M. Coleman
Alternate title: Captain Coleman
1880
Charcoal and white chalk on tan-gray paper
12 1/8 x 9 1/8 in. (30.8 x 23.2 cm)
Initialed and dated lower right, at sitter's left shoulder: Oct. 21–80/E.J.; lower center, not in Johnson's hand: Captain Coleman
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Record last updated March 28, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Zenas M. Coleman, 1880 (Hills no. 45.1.9)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=966 (accessed on October 12, 2024).