Eastman Johnson Catalogue Raisonné
Patricia Hills, PhD, Founder and Director | Abigael MacGibeny, Project Manager and Co-Author
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Catalogue Entry

45.1 U.S. Later Portrait Drawings, Men

When Johnson returned from Europe late in 1855 and moved in with his family in Washington, D.C., he began receiving portrait commissions. Like those done earlier, Johnson generally used charcoal (named in some records as black chalk) with touches of white and created a strong chiaroscuro for his sitters. Gradually he moved away from the strong chiaroscuro style he had been using, and his later portraits tend to be sketchier (as was the taste in art at the time) but no less professional. He used pastel to bring in color in some of these portraits. —PH

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Hills no. 45.1.17r
Baur no. 318a
Alfrederick Smith Hatch
Alternate titles: Alfrederick S. Hatch; Study of Alfrederick Smith Hatch (1829–1904), for The Hatch Family
c.1871
Charcoal, conte crayon, and black washes with white opaque watercolor highlights on medium weight wove paper
18 x 13 1/2 in. (45.7 x 34.3 cm) (sight)
Initialed lower left in conte crayon: E. J.
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Record last updated March 30, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Alfrederick Smith Hatch, c.1871 (Hills no. 45.1.17r)." In Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/catalogue/entry.php?id=975 (accessed on October 12, 2024).