In June 1869 Johnson married Elizabeth Buckley of Troy, New York, and the following summer he and his wife and their baby, Ethel, went to Nantucket, Massachusetts for the season. Johnson responded enthusiastically to Nantucket, which seemed to be filled with characters and activities that appealed to him, and the couple returned to the island each summer. Beside painting genre scenes of men, women, and children both indoors and outside, Johnson launched a major theme—the cranberry harvest—a time in the fall when the whole community turned out to pick the wild cranberries ripening in the bogs of Nantucket. Johnson made at least eighteen studies before crafting his major painting, The Cranberry Harvest, which was exhibited at the National Academy of Design in 1880. —PH
MacGibeny, 2021: According to American Art News, "Eastman Johnson Sale," March 2, 1907, this painting was sold to the Metropolitan Museum of Art for $800. That was the second-highest price paid for any work in the 1907 sale of Johnson's estate. Embers and The Famous Dolly [sic] Madison each sold for $810.
"Signed at the lower right, E. Johnson.
Height, 27 ½ inches; width, 54 ½ inches."
[Annotation: “800.00 / Met”]
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