Eastman Johnson Catalogue Raisonné
Concordance
The Concordance presents the numbers which Eastman Johnson's artworks have been assigned in the major catalogues of his work: the 1907 sale catalogue of his estate by the American Art Association, John I. H. Baur's 1940 catalogue An American Genre Painter: Eastman Johnson, 1824–1906, and now Patricia Hills and Abigael MacGibeny, Eastman Johnson Catalogue Raisonné. Only works that appear in the 1907 Sale and Baur 1940 catalogues are listed. Any other catalogue number a work is known to have been given appears within the catalogue entry for that work.
Hills | Baur | 1907 Sale | ||
---|---|---|---|---|
31.1.71 | 184 | William Maxwell Evarts, 1885 | ||
35.0.7 | 183 | William Maxwell Evarts (Johnson and Charles X. Harris), c.1885–1906 | ||
31.1.70 | 182 | Amos Richards Eno, 1899 | ||
31.1.63 | 181 | Wilder Dwight, 1863 | ||
31.1.61 | 180 | David Dows, 1891 | ||
32.0.6 | 179a | Self-Portrait, c.1860 | ||
31.1.53 | 179 | Frederic James De Peyster, 1888 | ||
31.1.55 | 178 | Frederic James De Peyster, c.1888 | ||
31.1.48 | 177 | Thomas Alfred Davies, c.1899 | ||
31.1.45 | 176a | John Call Dalton, 1886 | ||
31.3.19 | 176 | Mrs. Cross, c.1866 | ||
31.3.20 | 174 | Sarah Fairchild Dean, 1856, October | ||
31.1.43 | 173 | William Barnes Cogswell, 1881 | ||
31.3.16 | 172 | Mary Naomi Johnson Cogswell, c.1878 | ||
31.3.15 | 171 | Mabel Cogswell, 1878 | ||
31.1.42 | 170 | Thomas Butler Coddington, 1886 | ||
31.1.36 | 169 | Grover Cleveland, 1891, April | ||
31.1.40 | 168 | Grover Cleveland, c.1891 | ||
31.1.41 | 167 | Grover Cleveland, c.1891 | ||
31.1.32 | 166 | Grover Cleveland, c.1884 | ||
31.1.31 | 165 | Grover Cleveland, 1884, March | ||
31.1.34 | 164 | Grover Cleveland, 1891 | ||
31.1.30 | 163a | Isaiah Merriman Clark, 1857, July | ||
31.1.28 | 163 | Horace Dwight Chapin, c.1866 | ||
31.1.27 | 162 | John Carter Chandler, 1860 | ||
31.3.14 | 161 | Judith Farnum Chandler, likely c.1855–60 | ||
31.7.9 | 160 | John Carter Chandler and Philip J. Wilson, c.1859–61 | ||
31.1.26 | 159 | John Caswell, c.1881–90 | ||
31.1.25 | 158 | Le Grand Bouton Cannon, c.1895 | ||
31.1.18 | 157 | Joseph Cabell Breckinridge, 1891, October | ||
31.1.15 | 156 | Edwin Booth, c.1884 | ||
31.7.3 | 155 | The Blodgett Family, 1864 | ||
31.1.13 | 154 | George Bliss, c.1896 | ||
31.1.7 | 153 | Frederick Augustus Porter Barnard, 1886 | ||
35.0.8 | 152 | Chester Alan Arthur (Johnson and Charles X. Harris), c.1887–1906 | ||
31.1.6 | 151 | Chester Alan Arthur, 1887 | ||
31.1.1 | 150 | Cornelius Rea Agnew, 1888 | ||
10.0.13 | 149 | Writing His Lesson, 1863 | ||
25.1.9 | 148 | Woman at a Window, 1872, October 9 | ||
18.0.13 | 147 | Woman and Child, c.1872 | ||
26.1.1 | 146 | Winding Yarn, 1872 | ||
26.1.12 | 145 | 51 | What the Shell Says, c.1875 | |
25.1.7 | 144 | 17 | Watched Pot Never Boils, c.1870–79 | |
36.0.22 | 143 | Two Girls, c.1870–79 | ||
22.0.6 | 142 | Two Children (Study for The Scissors Grinder), c.1870 | ||
15.0.3 | 141 | 48 | Sunlight and Shadow in the Catskills, c.1860–69 | |
13.2.10 | 140 | Sunday Morning, 1866 | ||
12.0.3 | 139 | Studio Interior, c.1864–80 | ||
20.1.13 | 138 | Solitaire, 1867 | ||
19.0.5 | 137 | The Scissors Grinder, 1870 | ||
24.0.11 | 136 | The Reverie, c.1872–73 | ||
13.7.8 | 135 | 50 | A Quiet Hour, c.1877–79 | |
27.0.18 | 134 | A Prisoner of State, c.1874 | ||
13.3.8 | 133 | Preparing Breakfast, c.1862 | ||
23.0.17 | 132 | The Pet Canary, c.1878–81 | ||
23.0.14 | 131 | 39 | The Pet Angora Rabbit, c.1878 | |
28.0.4 | 130 | Peasant Girl of Brabant, 1863 | ||
21.2.6v | 129 | Girl in the Woods [verso of On the Hillside], c.1875–80 | ||
26.2.5r | 129 | On the Hillside, c.1875–80 | ||
26.2.2 | 128 | 27 | The Study for "The Old Stage Coach", c.1871 | |
26.2.1 | 127 | Old Stage Coach, 1871 | ||
25.1.10 | 126 | Not at Home, c.1872–75 | ||
12.0.1 | 125 | 115 | The New England Kitchen, c.1863 | |
29.0.3 | 124 | Study for "Milton Dictating 'Paradise Lost' to His Daughters," after Munkacsy, c.1877–80 | ||
27.0.22 | 123 | Milton and His Daughters, 1876 | ||
27.0.21 | 122 | 112 | Milton, c.1875–76 | |
26.7.8 | 121 | Study for Thy Word Is a Lamp Unto My Feet and a Light unto My Path, c.1875–81 | ||
18.0.3 | 120 | The Soldier's Wife, 1864–69 | ||
31.6.4 | 119 | The Little Prince, c.1880–1900 | ||
18.0.14 | 118 | 12 | The Little Convalescent, c.1872–80 | |
27.0.13 | 117a | Lincoln as a Boy, 1868 | ||
15.0.6 | 116 | Landscape, c.1860–79 | ||
15.0.1 | 115 | Landscape, c.1860–69 | ||
10.0.1 | 114 | Knitting for the Soldiers, 1861 | ||
12.0.4 | 113 | Interior of Studio, c.1870–80 | ||
13.7.5 | 112 | 73 | Children Playing in a Barn, c.1877–79 | |
21.1.13 | 111 | 32 | "I'm the Tallest", c.1870–79 | |
21.1.5 | 110 | Home and Warmth, 1863 | ||
28.0.3 | 109 | 30 | Young Girl with Turban, c.1862–69 | |
24.0.5 | 108a | Girl Reading, 1872 | ||
23.0.10 | 108 | Girl with Rabbits, c.1878 | ||
14.0.1 | 107 | Gathering Lilies, 1865 | ||
23.0.2 | 106 | Girl and Pets, 1859 | ||
23.0.1 | 105 | The Pets, 1856 | ||
23.0.13 | 104a | Girl Holding Rabbit, c.1878 | ||
22.0.6 | 104 | Two Children (Study for The Scissors Grinder), c.1870 | ||
21.2.4 | 103 | Girl with Basket, c.1870–79 | ||
13.7.11 | 102 | Girl in Barn, c.1877–79 | ||
21.2.2 | 101a | Gathering Flowers, c.1862–79 | ||
9.3.3 | 101 | The Freedom Ring, c.1860 | ||
14.0.2 | 100 | Boy Fishing, c.1865 | ||
25.1.11 | 99 | The Finishing Touch, c.1872–80 | ||
20.1.14 | 98 | 58 | The Fifer and His Friend, c.1862 | |
25.2.2 | 97 | Girl and Turkey, c.1870–80 | ||
26.1.21 | 96 | The Fifer and His Son, 1881 | ||
20.1.9 | 95 | The Early Scholar, c.1865 | ||
17.0.3 | 94 | 28 | Dressing the Doll, c.1869 | |
25.1.2 | 93 | Devotion, 1861, December | ||
26.6.8 | 92 | 131 | Peter Folger, 1886 | |
13.1.6 | 91a | Shelling Corn, 1864 |
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Concordance." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/resources/concordance.php (accessed on April 29, 2024).