Eastman Johnson Catalogue Raisonné
Concordance
The Concordance presents the numbers which Eastman Johnson's artworks have been assigned in the major catalogues of his work: the 1907 sale catalogue of his estate by the American Art Association, John I. H. Baur's 1940 catalogue An American Genre Painter: Eastman Johnson, 1824–1906, and now Patricia Hills and Abigael MacGibeny, Eastman Johnson Catalogue Raisonné. Only works that appear in the 1907 Sale and Baur 1940 catalogues are listed. Any other catalogue number a work is known to have been given appears within the catalogue entry for that work.
Hills | Baur | 1907 Sale | ||
---|---|---|---|---|
38.3.1 | 455 | Sha wen ne gun, 1857, August 25 | ||
38.3.2 | 425 | Ojibwe Woman, 1857 | ||
38.3.4r | 420 | Wigemar wasung, 1857 | ||
38.3.3 | 435 | Sha men ne gun, 1857 | ||
38.3.5 | 458 | Sitting Ojibwe Woman, 1857 | ||
38.4.1 | 426 | Ojibwe Youth, 1857, October 4 | ||
38.4.3 | 428 | Ojibwe Boy, 1857 | ||
38.4.2 | 427 | Ojibwe Boy, 1857 | ||
31.6.4 | 119 | The Little Prince, c.1880–1900 | ||
31.6.5 | 82 | Boy in Red, c.1880–1900 | ||
43.2.1 | 358 | Old Man, 1844, July | ||
43.2.10 | 365 | Portrait of a Man, 1847 | ||
43.2.6 | 350 | The Young Doctor, c.1846–48 | ||
43.4.2r | 370 | Old Woman, 1844, July | ||
43.4.5 | 374 | Head of a Woman, c.1846–49 | ||
43.4.7 | 373 | Head of a Woman, 1847 | ||
43.4.9 | 371 | Head of a Woman, 1848 | ||
44.2.7 | 353 | Head of a Man, c.1854–55 | ||
44.2.1 | 329 | Man with a Moustache, c.1849–51 | ||
44.2.5 | 368 | Study of a Man, 1852 | ||
44.2.6 | 409 | Dutchman, 1852 | ||
44.2.4 | 357 | Portrait of a Man (V. C.), 1850 | ||
44.2.3 | 351 | Seated Study of M. D., c.1849–55 | ||
44.5.2 | 437 | My Jew Boy, 1852, February | ||
45.2.1v | 318a | Sketch of Head of Unknown Young Man [verso of Alfrederick S. Hatch], c.1871 | ||
45.4.1 | 372 | Bust of a Woman, 1856 | ||
45.4.3 | 463 | Spanish Woman, 1862 | ||
45.4.7 | 381 | Portrait of a Woman with Small Dog on Table, c.1895 | ||
45.6.1r | 389 | Figure of a Little Girl, c.1855–56 | ||
45.6.2v | 389 | Figure of a Little Girl, c.1855–56 | ||
46.0.3 | 322 | Self-Portrait, c.1870–79 | ||
32.0.8 | 207 | Self-Portrait, 1863 | ||
32.0.6 | 179a | Self-Portrait, c.1860 | ||
32.0.5 | 203 | Self-Portrait, 1859–60 | ||
32.0.17r | 204 | Self-Portrait, c.1890–99 | ||
32.0.14 | 206 | Self-Portrait, c.1890 | ||
32.0.13 | 208 | Self-Portrait, 1889, May | ||
32.0.4 | 205 | Self-Portrait, likely c.1856–99 | ||
32.0.3 | 209 | Self-Portrait, likely c.1856–99 | ||
32.0.19 | 210 | Self-Portrait, c.1899 | ||
32.0.16 | 211 | Self-Portrait, c.1890–99 | ||
22.0.6 | 142 | Two Children (Study for The Scissors Grinder), c.1870 | ||
13.4.7 | 50 | 151 | Sugaring Off, c.1861–65 | |
13.4.8 | 49 | 150 | Sugaring Off, c.1864–65 | |
40.0.4 | 149 | "Carry Me, and I'll Drum You Through", c.1863–71 | ||
13.4.6 | 148 | A Maple Sugar Camp—Fryeburg, Maine, c.1861–65 | ||
26.4.10 | 56 | 147 | The Cranberry Harvest, 1876–79 | |
26.3.2 | 54 | 146 | The Corn Husking, c.1875–76 | |
21.2.8 | 145 | Child and Sled, 1879 | ||
10.0.25 | 144 | "The Girl I Left Behind Me", c.1872–75 | ||
26.1.15 | 143 | City People in Country Quarters, 1877 | ||
35.0.1 | 142 | Baron Fresca with Violin, c.1851 | ||
23.0.18 | 141 | Her Pet Kitten, c.1878–81 | ||
24.0.12 | 140 | The Reverie, c.1872–73 | ||
15.0.13 | 139 | The Peaceful Village, c.1871–80 | ||
13.4.4 | 51 | 138 | Sugaring Off at the Camp—Fryeburg, Maine, c.1861–65 | |
18.0.16 | 137 | Mother and Child, c.1872–80 | ||
28.0.1 | 136 | The Musician, c.1851–80 | ||
13.4.3 | 42 | 135 | A Different Sugaring Off, c.1861–65 | |
14.0.5 | 134 | The Early Lovers, c.1865–73 | ||
10.0.18 | 40 | 133 | Wounded Drummer Boy at Antietam—“Carry me, and I’ll drum you through”, c.1864–71 | |
21.1.33 | 132 | Child Warming Her Hands in Studio, c.1879 | ||
26.6.8 | 92 | 131 | Peter Folger, 1886 | |
26.2.6 | 130 | Kite Flying, c.1875–80 | ||
13.6.6 | 129 | The Truants, c.1861–65 | ||
9.2.3 | 128 | Dinnertime and Appletime in Old Virginia, c.1862–65 | ||
26.1.20 | 127 | "Play Me a Tune", 1880 | ||
11.0.4 | 126 | Fiddling His Way, c.1866 | ||
31.6.1 | 125 | Priscilla, c.1880–85 | ||
13.5.12 | 124 | The Story-Teller of the Camp, c.1861–65 | ||
10.0.10 | 123 | A Ride for Liberty—The Fugitive Slaves—1862, c.1862 | ||
35.0.2 | 47 | 122 | A Sly Drink at the Camp, 1861–65 | |
31.3.4 | 121 | Harriet Hubbard Ayer, c.1881 | ||
13.5.10 | 120 | Measurement and Contemplation at the Camp, c.1861–65 | ||
24.0.7 | 119 | Study for Interesting News, c.1872 | ||
26.6.3 | 118 | Jim Collins, c.1873–80 | ||
31.4.8 | 117 | "Turn on Me Thy Dark Eye", 1877 | ||
26.2.7 | 116 | Waiting for Father, c.1875–80 | ||
12.0.1 | 125 | 115 | The New England Kitchen, c.1863 | |
28.0.5 | 114 | Lady Audrey, c.1872–80 | ||
20.1.10 | 113 | The Early Scholar, 1868 | ||
27.0.21 | 122 | 112 | Milton, c.1875–76 | |
13.5.8 | 111 | Luncheon at the Camp, c.1861–65 | ||
43.3.12 | 110 | Dorothy Dandridge Payne Todd Madison, 1846, March | ||
39.3.13 | 109 | Girl and Turkey, c.1870–80 | ||
13.5.9 | 41 | 108 | At the Camp—Spinning Yarns and Whittling, c.1861–65 | |
6.0.1 | 35 | 107 | Mount Vernon—1857, 1857 | |
3.2.2 | 106 | The Holland Peasant Girl, c.1851–55 | ||
18.0.8 | 105 | The Baby by Candle Light, 1870, October 2 | ||
9.2.4 | 104 | The Moorish Girl, c.1862–69 | ||
13.5.4 | 48 | 103 | A Study in Reds—"Morning News at the Camp", c.1861–65 | |
25.1.15 | 102 | Day Dreams, c.1877 | ||
12.0.7 | 101 | The Other Side of Susan Ray's Kitchen, c.1875 | ||
12.0.6 | 67 | 100 | Susan Ray's Kitchen, 1875, September 24 | |
13.6.7 | 99 | A Boy in the Maine Woods, c.1861–65 | ||
25.1.8 | 98 | Ruth, c.1870–79 | ||
12.0.5 | 97 | The Vacant Chair, 1865 | ||
13.2.7 | 96 | "There's No Place Like Home", c.1865 | ||
12.0.8 | 95 | The Barn—A Study in Browns, 1879, August | ||
13.6.11 | 46 | 94 | The Sap Gatherers, c.1873 |
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Hills, Patricia, and Abigael MacGibeny. "Concordance." Eastman Johnson Catalogue Raisonné. www.eastmanjohnson.org/resources/concordance.php (accessed on May 6, 2024).